Softly he sang, as though he had forgotten that she was there. Softly,
but with a resonant, vibrating quality that made the words alive and
quivering with meaning.
Helen May caught her breath. How did he know she was thinking that song?
How did he chance to take it up just at the point where her memory had
carried it? Had he read her mind? She stared at him, her lips parted;
wondering, a little awed, but listening and thrilling to the human
sweetness of his tones. And when he had sung the last yearning note of
primitive desire, Starr turned his head and looked into her eyes.
Helen May felt as though he had taken her in his arms and kissed her
lingeringly. Yet he had not moved except to turn his face toward her. She
could not look away, could not even try to pull her eyes from his. It was
as though she yielded. She felt suffocated, though her breath came
quickly, a little unevenly.
Starr looked away, across the desert where the moon lighted it whitely.
It was as though he had released her. She felt flustered, disconcerted.
She could not understand herself or him, or the primary forces that had
moved them both. And why had he sung that _Bedouin Love Song_ just as she
was thinking it as something that explained him and identified him? It
was mysterious as the desert itself lying there so quiet under the moon.
It was weird as the cry of the coyote. It was uncanny as spirit rappings.
But she could not feel any resentment; only a thrill that was part
pleasure and part pain. She wondered if he had felt the same; if he knew.
But she could not bring herself to face even the thought of asking him.
It was like the night silence around them: speech would dwarf and cheapen
and distort.
Rabbit lifted his head again, perking his ears forward toward a new sound
that had nothing weird or mysterious about it; a sound that was
essentially earthly, material, modern, the distant purr of a high-powered
automobile on the trail away to their right. Starr turned his face that
way, listening as the horse listened. It seemed to Helen May as though he
had become again earthy and material and modern, with the desert love
song but the fading memory of a dream. He listened, and she received the
impression that something more than idle curiosity held him intent upon
the sound.
The purring persisted, lessened, grew louder again. Starr still looked
that way, listening intently. The machine swept nearer, so that the clear
night air carried the sounds distinctly to where they stood. Starr even
caught the humming of the rear gears and knew that only now and then does
a machine have that peculiar, droning hum; Starr studied it, tried to
impress the sound upon his memory.
Public-domain text, read in full here on John Shaqi.
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