To create a sharply defined image the telescope must not only
bring light where there ought to be light, but it must also bring
darkness where there ought to be darkness. The latter task is the
more difficult. Light-waves tend to spread in all directions, and
the telescope cannot prevent individual wavelets from straying on to
parts of the picture where they have no business. But it has this one
remedy--for every trespassing wavelet it must send a second wavelet
by a slightly longer or shorter route so as to arrive in a phase
opposite to the first wavelet and cancel its effect. This is where the
utility of a wide aperture arises--by affording a wider difference of
route of the individual wavelets, so that those from one part of the
aperture may be retarded relatively to and interfere with those from
another part. A small object-glass can furnish light; it takes a big
object-glass to furnish darkness in the picture.
Now we may ask ourselves whether the ordinary circular aperture is
necessarily the most efficient for giving the wavelets the required
path-differences. Any deviation from a symmetrical shape is likely to
spoil the definition of the image--to produce wings and fringes. The
image will not so closely resemble the object viewed. But on the other
hand we may be able to sharpen up the tell-tale features. It does
not matter how widely the image-pattern may differ from the object,
provided that we can read the significance of the pattern. If we cannot
reproduce a star-disk, let us try whether we can reproduce something
distinctive of a star-disk.
A little reflection shows that we ought to improve matters by blocking
out the middle of the object-glass, and using only the extreme
regions on one side or the other. For these regions the difference of
light-path of the waves is greatest, and they are the most efficient in
furnishing the dark contrast needed to outline the image properly.
But if the middle of the object-glass is not going to be used, why go
to the expense of manufacturing it? We are led to the idea of using
two widely separated apertures, each involving a comparatively small
lens or mirror. We thus arrive at an instrument after the pattern of a
rangefinder.
Public-domain text, read in full here on John Shaqi.
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