Stavrogin's Confession and The Plan of The Life of a Great Sinner: With Introductory and Explanatory NotesDostoyevsky, Fyodor
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Stavrogin's Confession and The Plan of The Life of a Great Sinner: With Introductory and Explanatory Notes
Dostoyevsky, Fyodor
Dostoyevsky, Fyodor, 1821-1881 -- Translations into English; Russia -- Social life and customs -- Fiction
There was an expensive Bokhara carpet, and also mats. There were
engravings of a “worldly” nature and of mythological subjects, and
alongside with these in the corner there was a large shrine glittering
with gold and silver icons, one of which was of very ancient date and
contained relics. His library also, it was said, was of a too varied and
contradictory character: side by side with the works of the great
ecclesiastics and Christian Fathers there were works “of drama and
fiction, and perhaps something even worse.”
Footnote 4:
After “madman” is struck out: “and at any rate, a perfectly talentless
creature.”
After the first greetings, uttered with an evident awkwardness on both
sides, hurriedly and even indistinctly, Tikhon led his visitor to his
study, and, as if all the while in a hurry, made him sit on the sofa, in
front of the table, and sat down himself nearby in a wicker chair.[5] To
his surprise Nikolai Vsevolodovich was completely at a loss. It looked
as if he was making up his mind with all his might on a step
extraordinary and inevitable, and yet at the same time almost impossible
for him. For a minute he looked about the study, evidently without
seeing what he looked at;[6] he was thinking but, perhaps, without
knowing of what. He was roused by the stillness, and suddenly it
appeared to him that Tikhon cast down his eyes with a kind of shyness,
with a quite unnecessary[7] smile. This instantly roused in him disgust
and reaction; he wanted to get up and go; in his opinion, Tikhon was
decidedly drunk. But the latter suddenly raised his eyes and looked at
him with such a firm and thoughtful gaze, and at the same time with such
an unexpected and enigmatical expression, that he nearly shuddered. And
now it suddenly seemed to him something absolutely different: that
Tikhon already knew why he had come, that he was already warned
(although nobody in the whole world could know the reason), and that if
he did not speak first, it was because he was sparing his feelings, was
afraid of his humiliation.
Footnote 5:
After the words “wicker chair” there stood originally: “Nikolai
Vsevolodovich was still much distracted by some inner overpowering
agitation.”
Footnote 6:
After the words “looked at” originally stood: “he thought and,
certainly, did not know of what.”
Footnote 7:
There is struck out “ridiculous.”
“Do you know me?” he suddenly asked abruptly. “Did I introduce myself
when I came in or not? Pardon me, I am so absent-minded....”
“You did not introduce yourself, but I had the pleasure of seeing you
once about four years ago, here in the Monastery ... by chance.”
Tikhon spoke unhurriedly and evenly, in a soft voice, pronouncing his
words clearly and distinctly.
“I was not in this Monastery four years ago,” Nikolai Vsevolodovich
replied with unnecessary rudeness. “I was here only as a child, when you
were not yet here.”
“Perhaps you have forgotten?” Tikhon observed guardedly and without
insisting upon it.
Public-domain text, read in full here on John Shaqi.
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