Steel: The Diary of a Furnace WorkerWalker, Charles R. (Charles Rumford)
History
Steel: The Diary of a Furnace Worker
Walker, Charles R. (Charles Rumford)
Iron and steel workers -- United States
"No," I said, "not that."
He searched again and came up with a highly respectable blue coat, with
a mere raveling on one sleeve.
"No," I said, "I'll find one."
I fished very deeply, and caught some green pants, evidently "old" and
spattered with white paint on the knees. He hastened to point out the
white paint.
I tried to explain that I liked a little white paint on my clothes, but
saw I was unconvincing. I finally bought the suit with a sort of
violence for two dollars, and left with a sense of fortunate escape.
Now for a hat. Two blocks down the street I found one, somewhat soiled
and misshapen.
"I'll take that," I said.
The clerk lifted it, and, when I was fumbling for money, brushed off a
vast portion of the dirt, and reshaped it into smooth, luxuriant curves.
But still I bought the hat.
"At any rate," I thought, "I can restore the thing."
II
MOLTEN STEEL--AN INITIATION
At four o'clock I put on my paint-spattered pants, the coat with a
conspicuous hole near one of the buttons, and my green hat. I climbed
the little hill before the gate, among leisurely first arrivals, and
found myself attracting no attention whatsoever. I felt for the brass
check in my shirt pocket, found it, and rebuttoned the pocket. The guard
peered into my face, as if he were going to ask for a pass, but didn't.
I walked the four hundred yards to the open-hearth, and noticed clearly
for the first time the yard of the blooming-mill. Here varied shapes of
steel, looking as if they weighed several thousand pounds each, were
issuing from the mill on continuous treads, and moving about the yard in
a most orderly, but complex manner. Electric cranes were sweeping over
the quarter-acre of yard-space, and lifting and piling the steel swiftly
and precisely on flat cars.
I entered the open-hearth mill by the tracks that ran close to the
furnaces. The mill noises broke on me: a moan and rattle of cranes
overhead, fifty-ton ones; the jarring of the train-loads of charge-boxes
stopping suddenly in front of Number 4; and minor sounds like chains
jangling on being dropped, or gravel swishing out of a box. I was
conscious of muscles growing tense, in the face of this violent
environment, a somewhat artificial and eager calm. I walked with
excessive firmness, and felt my personality contracting itself into the
mere sense of sight and sound.
I looked for Pete.
"He's in his shanty--over there," said an American furnace-helper, who
was getting into his mill clothes.
I went after Pete's shanty. It was a sheet-iron box, 12 by 12, midway
down the floor, near a steel beam. Pete was coming out, buttoning the
lower buttons of a blue shirt. He looked through my head and passed me,
much as he had passed the steel beam. With two or three steps I moved
out and blocked his way. He looked at me, loosened his face, and said
very cheerfully: "Hello."
"I've come to work," I said.
"Here," he said, "you'll work th' pit t' night. Few days, y' know, get
used ter things."
Public-domain text, read in full here on John Shaqi.
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