Next morning Morris and Stella met at breakfast as usual, but as though
by mutual consent neither of them alluded to the events of the previous
evening. Thus the name of Mr. Layard was “taboo,” nor were any more
questions asked, or statements volunteered as to that journey, the
toils of which Morris had suddenly discovered he was after all able to
avoid. This morning, as it chanced, no experiments were carried on,
principally because it was necessary for Stella to spend the day in the
village doing various things on behalf of her father, and lunching with
the wife of Dr. Charters, who was one of the churchwardens.
By the second post, which arrived about three o’clock, Morris received
two letters, one from his father and one from Mary. There was something
about the aspect of these letters that held his eye. That from his
father was addressed with unusual neatness, the bold letters being
written with all the care of a candidate in a calligraphic competition.
The stamps also were affixed very evenly, and the envelope was
beautifully sealed with the full Monk coat done in black wax. These, as
experience told him, were signs that his father had something important
to communicate, since otherwise everything connected with his letters
was much more casual. Further, to speak at hazard, he should judge that
this matter, whatever it might be, was not altogether disagreeable to
the writer.
Mary’s letter also had its peculiarities. She always wrote in a large,
loose scrawl, running the words into one another after the idle fashion
which was an index to her character. In this instance, however, the
fault had been carried to such an extreme that the address was almost
illegible; indeed, Morris wondered that the letter had not been
delayed. The stamps, too, were affixed anyhow, and the envelope barely
closed.
“Something has happened,” he thought to himself. Then he opened Mary’s
letter. It was dated Tuesday, that is, two days before, and ran:
“DEAREST,—My father is dead, my poor old father, and now I have nobody
but you left in the world. Thank God, at the last he was without pain
and, they thought, insensible; but I know he wasn’t, because he
squeezed my hand. Some of his last words that could be understood were,
‘Give my love to Morris.’ Oh! I feel as though my heart would break.
After my mother’s death till you came into my life, he was everything
to me—everything, everything. I can’t write any more.
“Your loving
“MARY.”
Public-domain text, read in full here on John Shaqi.
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