From that time forward Morris sat up even later than usual, nor did he
waste those precious solitary hours. But the diary covered ten full
years of a woman’s life, during all of which time certainly never a
week passed without her making entries in it, some of them of
considerable length. Thus it came about—for he skipped no word—that a
full month had gone by before Morris closed the last volume and slipped
it away into its hiding-place in the safe.
As Mr. Fregelius had said, the history was a history of thoughts and
theories, rather than of facts, but notwithstanding this, perhaps on
account of it, indeed, it was certainly a work which would have struck
the severest and least interested critic as very remarkable. The
prevailing note was that of vividness. What the writer had felt, what
she had imagined, what she had desired, was all set out, frequently in
but few words, with such crystal clearness, such incisive point, that
it came home to the reader’s thought as a flash of sudden light might
come home to his eye. In a pre-eminent degree Stella possessed the gift
of expression. Even her most abstruse self-communings and speculations
were portrayed so sharply that their meaning could not possibly be
mistaken. This it was that gave the book much of its value. Her
thoughts were not vague, she could define them in her own
consciousness, and, what is more rare, on paper.
So much for the form of the journal, its matter is not so easy to
describe. At first, as might be expected from her years, it was
somewhat childish in character, but not on that account the less sweet
and fragrant of a child’s poor heart. Here with stern accuracy were
recorded her little faults of omission and commission—how she had
answered crossly; how she had not done her duty; varied occasionally
with short poems, some copied, some of her own composition, and prayers
also of her making, one or two of them very touching and beautiful.
From time to time, too—indeed this habit clung to her to the last—she
introduced into her diary descriptions of scenery, generally short and
detached, but set there evidently because she wished to preserve a
sketch in words of some sight that had moved her mind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account