before the wounded animal knew which way to charge, Fargu thought with
terror how it would be when he came to know the temptation of the
huddle-spot leopards, and the knife-clawed lynxes, with which the
forest was haunted. For the boy had been so steeped in the sun, from
childhood so saturated with his influence, that he looked upon every
danger from a sovereign height of courage. When, therefore, he was
approaching his sixteenth year, Fargu ventured to beg of Watho that
she would lay her commands upon the youth himself, and release him
from responsibility for him. One might as soon hold a tawny-maned lion
as Photogen, he said. Watho called the youth, and in the presence of
Fargu laid her command upon him never to be out when the rim of the
sun should touch the horizon, accompanying the prohibition with hints
of consequences, none the less awful that they were obscure. Photogen
listened respectfully, but, knowing neither the taste of fear nor the
temptation of the night, her words were but sounds to him.
CHAPTER VII. HOW NYCTERIS GREW.
The little education she intended Nycteris to have, Watho gave her by
word of mouth. Not meaning she should have light enough to read by, to
leave other reasons unmentioned, she never put a book in her hands.
Nycteris, however, saw so much better than Watho imagined, that the
light she gave her was quite sufficient, and she managed to coax Falca
into teaching her the letters, after which she taught herself to read,
and Falca now and then brought her a child's book. But her chief
pleasure was in her instrument. Her very fingers loved it, and would
wander about over its keys like feeding sheep. She was not unhappy.
She knew nothing of the world except the tomb in which she dwelt, and
had some pleasure in everything she did. But she desired,
nevertheless, something more or different. She did not know what it
was, and the nearest she could come to expressing it to herself
was--that she wanted more room. Watho and Falca would go from her
beyond the shine of the lamp, and come again; therefore surely there
must be more room somewhere. As often as she was left alone, she would
fall to poring over the coloured bas-reliefs on the walls. These were
intended to represent various of the powers of Nature under
allegorical similitudes, and as nothing can be made that does not
belong to the general scheme, she could not fail at least to imagine a
flicker of relationship between some of them, and thus a shadow of the
reality of things found its way to her.
Public-domain text, read in full here on John Shaqi.
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