Stephen H. Branch's Alligator, Vol. 1 no. 06, May 29, 1858 — John Shaqi
Stephen H. Branch's Alligator, Vol. 1 no. 06, May 29, 1858
History
Stephen H. Branch's Alligator, Vol. 1 no. 06, May 29, 1858
New York (N.Y.) -- Politics and government
dead—I know he yearns to see his only surviving relative—the
dear, darling, unfortunate boy, and I will go to see him, and
kiss him, and comfort him in his dreary dungeon, and die with
him, in his captivity, if necessary,” and thus she soliloquised
and wept in tones of strangulation, while arranging her shawl
and bonnet before the glass, and I cried also, and besought her
not to go, as I did not desire to witness the harrowing prison
scene between herself and beloved nephew. But she assured me
that she would control her feelings, and would not weep, nor
evince extraordinary emotion in his cell, if I would accompany
her. I doubted her power of dissimulation, when she beheld her
nephew, in his narrow cell, with a stone and block for his
bed and pillow, and restrained of his liberty by locks, bars,
bolts, and chains. But she most earnestly assured me that she
could master her sympathies, and appealed to her control of her
passions on the stage, as evidence of her ability to subdue her
feelings in a prison. She did not convince, but smiled like
an angel through her tears, and persuaded me to go in accents
that would have conquered and melted a fiend into submission.
On our arrival at the Tombs, her eyes were excited with fear,
and as we ascended the steps that led to the cell, she trembled
like a little girl, and hoped I would pardon her tremulation,
as it was her first appearance in a real prison, and trusted it
would be the last. I tranquilized her fears, and we enter his
cell, and when she beholds his pale and sad and lovely face, she
screams, and embraces, and hugs, and kisses him, until it seems
she will strangle and devour him. After the shock, she slowly
recovers herself, and adheres, as far as possible, to her pledge
to check her agony, until we arise to leave him, when I behold
a scene between herself and nephew, far more affecting than I
ever witnessed on the stage of a theatre, or in human life.
She raved and pulled her hair, and pressed him to her panting
bosom, as though she was bidding him an eternal farewell, prior
to his immediate departure for the scaffold. The boy becomes
alarmed, as she had almost suffocated him with affection, and in
his herculean efforts to extricate his neck from her terrible
Bearish embraces, they both fell violently on the floor of the
cell, when I implored her to release her grasp, lest she would
strangle him. But she was in a trance of affection, and was
utterly unconscious, and the boy soon cries for instant succor,
or he must die, when I seize her with all the strength I could
summon, and after a severe struggle (in which I tear the apparel
of both, and scratch their faces,) I separate them, and in
half an hour, through the most tender persuasion, I effect her
emergence from the cell, amid an avalanche of renewed embraces,
and mutual kisses, and parting words. On leaving the cell, a
captive (who had the freedom of the prison, and whose heart was
moved by the noise in the cell, and the touching presence of
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