Stephen H. Branch's Alligator, Vol. 1 no. 11, July 3, 1858
General
Stephen H. Branch's Alligator, Vol. 1 no. 11, July 3, 1858
New York (N.Y.) -- Politics and government
was silent for some minutes, when he sprang to his feet, and said he
would like a bath, and went to the bathing room. In half an hour, he
returned, went to the tea table, ate sparingly, came into the parlor,
went to the window, and knelt and prayed in whisper tones. The clouds
had suddenly dispersed, and the moon was full, whose soft rays rested on
the sad face of McDonald. He then got the Bible, and read a chapter, and
was absorbed in a second prayer, just above a whisper, when a transient
boarder (from Boston) entered the parlor, and sat on the sofa, and began
a spirited conversation with a friend who had long been waiting for him.
McDonald, while engaged in prayer, in a kneeling posture, sprang to his
feet, and rushed towards the two gentlemen in lively conversation on the
sofa, and told them that if they did not cease to laugh, and talk so
loudly, he would smite them on the spot. They were amazed and terrified,
and dared not speak. McDonald then rapidly paced the parlor, and
exclaimed: “I am only 40 years old, with nearly half the period often
allotted to man yet to run, and I am near my journey’s close.” And then,
with a sudden halt in the centre of the parlor, he again riveted his
wild eyes on the gentlemen seated on the sofa, who had excited his ire,
and stamped, and most violently exclaimed: “How dare you talk and laugh
in God’s holy hour? This is the all-glorious Sabbath, and it is
sacrilege to talk and laugh beyond a whisper. Do it again, and as sure
as my name is McDonald Clarke, I will paralyse you where you sit.
Silence, I say, (stamping,) silence!” The two gentlemen then arose, and
left the parlor, in pursuit of Mr. Goss, and McDonald went to the
window, and delivered a glowing apostrophe to the moon and stars, and
asked me to play sacred music on the piano, which I did, and he strove
to sing, but his voice was severely weakened, and nearly lost, by his
nervous excitement, and through his severe anathema of the two gentlemen
who had just left the parlor. As I played, he stood beside me, and
hummed and beat time with his hands. I closed the piano, and he went to
the window, and prayed again, and breathed the most eloquent and
touching soliloquy I ever heard. Such melting pathos and purity of
language never flowed from human lips. He rose to the highest
inspiration in his allusion to his departed mother, and his anticipated
joy at his early reunion with her in Heaven. I have always regretted
that I had no pencil and paper on this sad occasion, so that I could
have preserved his supernatural soliloquies, which impressed me with the
profoundest solemnity. Mr. Goss now came into the parlor, and asked
McDonald where he boarded, and he said he had no home. Goss then asked
him if he had any friends. He said that James Gordon Bennett was his
friend, and had been kind and generous towards him, and had given him
money and apparel, and published his poetry in the _Herald_. He also
Public-domain text, read in full here on John Shaqi.
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