Stern's one Negro friend, Battleby the artist, came in then with sketches for Stern's labels and began immediately to fill Stern in on all his latest activities. A bearded Negro intellectual, he behaved as though his paintings were the major concern of all Americans and people walked the streets in a sweat, chafing to get late details on his career. When someone else in a room was speaking, Battleby felt threatened and would sweat and fidget, tugging at his collar and gulping deeply for air until the person stopped; then Battleby would swallow deeply and say, "They have some pen-and-inks of mine over at the West Side Gallery, and a Guggenheim director said I'm one of the eight best young Americans in casein." Battleby sat down now and said to Stern, "Here are the sketches. I'm doing something new with ceramics that an art editor has said promises to be one of the real technical contributions to the art world. You know my far-out comic strip? Well, the syndicate says if I can sharpen the punch line just a little, I have a good chance of selling it to them. The nudes are going quite well. I can sell almost as many as I like. I may teach a course this summer at Polytech in techniques of the French moderns." For a moment Battleby seemed to forget his next achievement, and when Stern leaned forward to say something, a panic flew into Battleby's eyes and he began to fidget and sweat and tap his feet until he remembered and choked out the next line. "Showing. A showing. If I can come up with twenty-six canvases by September, there's a gallery on Madison that wants me. They once had an original Braque."