Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
The same error of taking the physical for the æsthetic, from which the
search for the _elementary forms_ of the beautiful originates, is made
by those who go in search of _elementary linguistic facts,_ decorating
with that name the divisions of the longer series of physical sounds
into shorter series. Syllables, vowels and consonants, and the series
of syllables called words, all these elements of speech, which give
no definite sense when taken alone, must be called not _facts of
language,_ but mere sounds, or rather sounds abstracted and classified
physically.
Another error of the same sort is that of _roots,_ to which the most
distinguished philologists now accord but small value. Having confused
physical with linguistic or expressive facts, and considering that the
simple precedes the complex in the order of ideas, they necessarily
ended by thinking that the smallest physical facts indicated the
simplest linguistic facts. Hence the imaginary necessity that the most
ancient primitive languages had a monosyllabic character, and that
historical research must always lead to the discovery of monosyllabic
roots. But (to follow up the imaginary hypothesis) the first expression
that the first man conceived may have had not a phonetic but a mimetic
physical reflex; may have been externalized not in a sound but in
a gesture. And assuming that it was externalized in a sound, there
is no reason to suppose that sound to have been monosyllabic rather
than polysyllabic. Philologists readily blame their own ignorance and
impotence, when they do not always succeed in reducing polysyllabism to
monosyllabism, and rely upon the future to accomplish the reduction.
But their faith is without foundation, and their blame of themselves is
an act of humility arising from an erroneous presumption.
For the rest, the limits of syllables, as those of words, are
altogether arbitrary, and distinguished somehow or other by empirical
use. Primitive speech, or the speech of uneducated man, is a
_continuum,_ unaccompanied by any consciousness of divisions of the
discourse into words or syllables, imaginary beings created by schools.
No true law of Linguistic can be founded on such divisions. Proof of
this is to be found in the confession of linguists, that there are
no truly phonetic laws of the hiatus, of cacophony, of diæresis or
synæresis, but merely laws of taste and convenience; that is to say,
_æsthetic_ laws. And what are laws of _words_ which are not at the same
time laws of _style_?
[Sidenote: _Æsthetic judgement and the model language._]
Finally, the search for a _model language,_ or for a method of reducing
linguistic usage to _unity,_ arises from the superstition of a
rationalistic measure of the beautiful, from that concept which we have
called false æsthetic absoluteness. In Italy we call this the question
of the _unity of the language._
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