Æsthetic as science of expression and general linguisticCroce, Benedetto
Philosophy
Æsthetic as science of expression and general linguistic
Croce, Benedetto
Aesthetics; Language and languages -- Philosophy; Philosophy
If feeling has been sometimes considered to be an organic or natural
activity, this has happened just because it does not coincide either
with logical, æsthetic or ethical activity. Looked at from the
standpoint of those three (which were the only ones admitted), it
has seemed to lie _outside_ the true and real spirit, spirit in its
aristocracy, and to be almost a determination of nature, or of the
soul in so far as it is nature. From this too results the truth of
another thesis, often maintained, that the æsthetic activity, like the
ethical and intellectual activities, is not feeling. This thesis is
inexpugnable, when feeling has already been understood implicitly and
unconsciously as economic volition.
[Sidenote: _Criticism of hedonism._]
The view refuted in this thesis is known as _hedonism._ This consists
in reducing all the various forms of the spirit to one, which thus also
loses its own distinctive character and becomes something obscure
and mysterious, like "the night in which all cows are black." Having
brought about this reduction and mutilation, the hedonists naturally do
not succeed in seeing anything else in any activity but pleasure and
pain. They find no substantial difference between the pleasure of art
and that of easy digestion, between the pleasure of a good action and
that of breathing the fresh air with wide-expanded lungs.
[Sidenote: _Feeling as a concomitant of every form of activity._]
But if the activity of feeling in the sense here defined must not be
substituted for all the other forms of spiritual activity, we have not
said that it cannot _accompany_ them. Indeed it accompanies them of
necessity, because they are all in close relation both with one another
and with the elementary volitional form. Therefore each of them has for
concomitants individual volitions and volitional pleasures and pains,
known as feeling. But we must not confound a concomitant with the
principal fact, and substitute the one for the other. The discovery of
a truth, or the fulfilment of a moral duty, produces in us a joy which
makes vibrate our whole being, which, by attaining the aim of those
forms of spiritual activity, attains at the same time that to which
it was _practically_ tending, as its end. Nevertheless, _economic_
or _hedonistic_ satisfaction, _ethical_ satisfaction, _æsthetic_
satisfaction, _intellectual_ satisfaction, though thus united, remain
always distinct.
A question often asked is thus answered at the same time, one which
has correctly seemed to be a matter of life or death for æsthetic
science, namely, whether feeling and pleasure precede or follow, are
cause or effect of the æsthetic fact. We must widen this question to
include the relation between the various spiritual forms, and answer
it by maintaining that one cannot talk of cause and effect and of a
chronological before and after in the unity of the spirit.
Public-domain text, read in full here on John Shaqi.
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