Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world — John Shaqi
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
heart of a lion--he must have something else too horrible to
name, and has it--still the heavens are inexorable--the last
appeal, “It is the face of the white man that scares the rain
clouds”--unpleasant predicament for a man with a white face--the
impostor’s end--A fine day for a butcher’s knife--Figian
coming of age--how Mr. Petherick “Barnumized” the natives as
a rain-maker--perpetrates something not many degrees short of
blasphemy--the artful device of the floured flies--a Sabbath
in Equatorial Africa--The worship of Njambai--paying for
peeping--“who bewitched the king?”--the appeal to Ilogo--an
unlucky wizard--appalling end of a witch man--Mfumbo the
all-powerful--what came of felling a “devil-tree”--the business
of a Mganga--how he points out the road the traveller should
travel--King Passol’s dancing fetish--his extraordinary
performance on stilts--“he be de debil”--a bal-masqué--“dance,
oh snake! for this is indeed a happy day”--old King
Kalabar--“Nabikems”--Kalabar fash--A Yoruba man’s opinion of the
chameleon. Pages 204–336.
PART XII.
SAVAGE DEATH AND BURIAL.
CHAP. XXVII.--Disrespect for human life not synonymous with
personal indifference to death--burial ceremonials in cannibal
Figi--the Figians no respecters of persons as regards this
custom--preparations for burying a living king--the “grave
grass”--paving the king’s grave--an affectionate son--“see,
his body moves, but it does so unconsciously”--Figian
symbols of mourning--mourning suits of leaves--the “causing
to laugh”--murder of the Figian sick--“pray don’t bury
me”--sexton’s work--the poorest savage sure of a comfortable
“narrow bed”--the howling of a dog considered ominous--ditto,
a cat’s clawing on the grave of a woman--how death came into
the world--the sacrifice of fingers--the token of the bloody
apron--the art of embalming--the corpse-praying priest--the
“sin hole”--ceremonies at the burial of King Finow--heroic
appeals to the departed king by his warriors--the scene at the
sepulchre--the journey of the sand bearers--shaving the head
and burning the cheek bones--twenty days’ mourning--the Mee
too Buggi--singular expression of fidelity--Finow’s faithful
fishermen--the Sandwich Islander’s badge of mourning--knocking
out the teeth--cutting the ears--putting the tongue in
black--a melancholy procession--the house of Keave--a pitiful
spectacle--no admittance to the sacred building--the Pahio
tabu--Heathen cities of refuge. Pages 337–360.
Public-domain text, read in full here on John Shaqi.
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