Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
“The queen’s female dancers opened the ball with the dreary Malagasey
dance. These charming creatures were wrapped from top to toe in white
simbus, and wore on their heads artificial, or, I should say, very
inartificial flowers, standing up stiffly like little flagstaffs; they
crowded into a group in such a way that they seemed all tied together.
As often as they staggered past the queen’s balcony or the monument
of King Radama, they repeated their salutes, and likewise at the end
of every separate dance. After the female dancers had retired, the
officers executed a very similar dance, only that they kept somewhat
quicker time, and their gestures were more animated--that is to say,
they lifted their feet rather higher than the performers of the other
sex. Those who had hats and caps, waved them in the air from time to
time, and set up a sharp howling, intended to represent cries of joy.
“After the officers followed six couples of children in fancy dresses.
The boys wore the old Spanish costume, or were attired as pages, and
looked tolerably well; but the girls were perfect scarecrows. They wore
old-fashioned French costumes--large, stiff petticoats, with short
bodices--and their heads were quite loaded with ostrich feathers,
flowers, and ribbons. After this little monkey community had performed
certain polonaises, schottisches, and contre-danses, acquitting
themselves, contrary to my expectation, with considerable skill, they
bowed low and retired, making way for a larger company, the males
likewise clad in the old Spanish, the females in the old French garb.
“All these various costumes are commanded by the queen, who generally
gets her ideas from pictures or engravings that come in her way. The
ladies add to the costume prescribed by royalty whatever their own
taste and invention may suggest, generally showing great boldness and
originality in the combination of colours. I will give my readers an
idea of what these costumes are like, by describing one of them.
“The dress was of blue satin, with a border of orange colour, above
which ran a broad stripe of bright cherry-coloured satin. The body,
also of satin, with long skirt, shone with a brimstone hue, and a light
sea green silk shawl was draped above it. The head was covered in
such style with stiff, clumsily-made artificial flowers, with ostrich
feathers, silk ribbons, glass beads, and all kinds of millinery, that
the hair was entirely hidden--not that the fair one lost much thereby,
but that I pitied her for the burden she had to carry.
“The costumes of the other ladies showed similar contrasts in colour,
and some of these tasteful dresses had been improved by a further
stroke of ingenuity, being surmounted by high conical hats, very like
those worn by the Tyrolese peasants.
Public-domain text, read in full here on John Shaqi.
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