Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised worldGreenwood, James
History
Stirring scenes in savage lands : $b An account of the manners, customs, habits and recreations, peaceful and warlike, of the uncivilised world
Greenwood, James
Anthropology
“A jacket, a turban, a cloth for the loins, and a kris (all of white),
were presented to the chiefs as a token of sejiek dingin, or cold
(_i.e._ good). The chief then rose, and taking a white fowl and
waving it over the eatables, repeated nearly the following words [The
commencement, however, is curious enough to dwell upon: the opening
is a sort of invocation beginning with the phrase ‘Samungut Samungi.’
Samungut is a Malay word, Samungi signifying the same in Dayak; the
exact meaning it is difficult to comprehend, but it is here understood
as some principal spirit or fortune which is in men and things. Thus
the Dayaks in stowing their rice at harvest, do it with great care from
a superstitious feeling that the Samungi of the padi will escape. They
now call this principal to be present--that of men, of pigs (their
favorite animal), of padi, and of fruits. They particularly named my
Samungi, that of my ancestors, of the Pangeran from Borneo, of the
Datus and of their ancestors, and of the ancestors of their own tribe.
They call them--that is, their Samungi--to be present. They then call
upon Jovata to grant their prayer that the great man from Europe and
the Datus might hold the government for a length of time]:--‘May the
government be cold (good). May there be rice in our houses. May many
pigs be killed. May male children be born to us. May fruit ripen. May
we be happy, and our goods abundant. We declare ourselves to be true
to the great man and the Datus; what they wish we will do, what they
command is our law.’ Having said this and much more the fowl was taken
by a leading Malay who repeated the latter words, whilst others bound
strips of white cloth round the heads of the multitude. The fowl was
then killed, the blood shed in a bamboo, and each man dipping his
finger in the blood touched his forehead and breast in attestation
of his fidelity. The fowl was now carried away to be cooked, and
when brought back placed with the rest of the feast, and the dancing
commenced. The chief coming forward uttered a loud yell ending in
‘ish,’ which was oftentimes repeated during the dance. He raised his
hand to his forehead and, taking a dish, commenced dancing to lively
music. Three other old chief-men followed his example, each uttering
the yell and making the salute, but without taking the dish. They
danced with arms extended, turning the body frequently, taking very
small steps and little more than lifting their feet from the ground.
Thus they turned backwards and forwards, passed in and out in the inner
rooms, and frequently repeating a yell and making the salutation to me.
The dish in the meantime was changed from one to the other; there was
little variety, no gesticulation, no violence, and though not deficient
in native grace, yet the movements were by no means interesting. The
dance over the feast commenced, and everything was carried on with
great gravity and propriety. I left them shortly after they begun to
Public-domain text, read in full here on John Shaqi.
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