"Your pose is perfect, dear. Please don't alter it," urged the artist;
who, advancing to his easel again, continued the free, rapid outline.
We chatted and laughed together for nearly an hour, until the tints of
pearl and rose had melted imperceptibly into the deep night sky; then
Dick lit the lamps, while Ethel retired into the model's sanctum to
resume her nineteenth century attire.
Presently she reappeared, and we went to dine together at a restaurant
in Piccadilly, afterwards visiting a theatre, and spending a very
pleasant evening.
Poor Dick! I was sorry that he was so infatuated. He was such a
large-hearted, honest fellow, that I felt quite pained when I
anticipated the awakening that must inevitably come sooner or later. He
knew absolutely nothing of her past, and was quite ignorant that she had
been a popular actress.
In the months that followed, I visited the studio almost daily, and
watched the growth of the picture. Dick was putting his whole soul into
the composition, and my knowledge of art--acquired by years of idling in
the ateliers of the Quartier Latin, and dabbling with the colours a
little myself--told me that he was engaged upon what promised to be his
finest work.
The face was a lifelike portrait. The delicate tints of the neck and
arms were reproduced with a skill that betrayed the master hand, and the
reflection in the mirror behind had a wonderfully natural appearance,
while the bright colours enhanced the general effect of gay, reckless
abandon.
The fair model herself was charmed with it. Woman's vanity always
betrays itself over her picture.
One evening, at the time the canvas was receiving its finishing touches,
I returned home from a stroll across Kensington Gardens, and, on going
in, heard some one playing upon my piano, and a sweet soprano voice
singing Trotere's "In Old Madrid." I recognised the clear tones as
those of Ethel.
"Ah, Harold!" she cried, jumping up as I entered the room. "I was
amusing myself until your return. I--I have something to tell you."
"Well, what is it?" I asked, rather surprised.
"Cannot you guess? Dick has asked me to become his wife," she said in a
low tone.
"The thing's impossible!" I cried warmly. "I will not allow it. You
may be friends, but he shall never marry you."
"How cruel you are!" she said, with a touch of sadness. "But, after
all, your apprehensions are groundless. I have refused."
"Refused? Why?"
"For reasons of my own," she replied in a harsh, strained voice. "If--
if he speaks to you, urge him to abandon thoughts of love, and regard me
as a friend only."
"You are at least sensible, Ethel," I said. "It is gratifying to know
that you recognise the impossibility of such an union."
Tears welled in her eyes. She nodded, but did not reply.
------------------------------------------------------------------------
Public-domain text, read in full here on John Shaqi.
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