"No. She lives in another province to that in which she was imprisoned.
No one there knows that she is an escaped convict, and as the Prince
was once attached to this Embassy, we are not likely to divulge."
He chaffed me a little, laughed heartily in his good-natured way, and
soon afterwards we rejoined the guests.
I have heard nothing since of my unconventional travelling companion. A
short time ago, however, I received an anonymous present of furs, and I
shrewdly suspect whence it came. The Prince's ring, which is the
admiration and envy of many of my friends, still glitters on my finger,
and I regard it as a souvenir of the most happy and romantic journey of
my life.
CHAPTER FIVE.
SANTINA.
"From the Contessa, signore."
A tall liveried servant handed me a coroneted missive, and, bowing
stiffly, withdrew. Taking the letter mechanically, I sat puffing at my
cigarette and dreaming.
The sultry day was over, and the full moon was shining down clear and
cool. Genoa had drawn breath again; its streets and piazzas had grown
alive with the stir of manifold movement; the broad Via Roma, with its
fine shops and garish _cafes_, echoed with increasing confusion of
voices and jest and laughter and song; while the flower-sellers were
everywhere, and the newsboys in strident tones cried the _Secolo_ and
the _Gazzetta_. My small and rather shabby room was on the top floor of
a great old palazzo in the Via Balbi. The jalousies, wide-open,
admitted little gusts of fresh air that blew up from the sea, while the
ceaseless babel of tongues, the clip-clap of horses' hoofs, and the
indescribable odour of garlic, fried oil, and the cheap cigars
characteristic of an Italian street, was borne in upon me.
Two candles in the sconces of a small Venetian mirror shed their light
over the pedestal, upon which was a statue almost finished. It was a
representation of a lovely woman in carnival dress, that I had chiselled
in marble.
The face was absolutely beautiful, not only because of its perfect
harmony, not only winsome in the gentleness of its contour, but it was
also masterful by virtue of the freedom and force expressed in all its
firmness.
Lazily I opened the letter, and prepared to feast upon its contents.
But the few brief words penned in a woman's hand caused me to start to
my feet in anger and dismay; and, holding my breath, I crushed the
missive and cast it under my foot. She who had written to me was the
original of this statue, which was considered my masterpiece.
The note was cold and formal, unlike her usual graceful letters. It
stated that she was leaving Italy that evening; and expressed regret she
could not sit again to me. She also enclosed a bank-note for two
thousand lire, which she apparently believed would repay me for my
trouble.
My trouble! _Dio mio_! Had it not been a labour of love, when I
adored--nay, worshipped her; and she, in her turn, had bestowed smiles
and kisses upon me?
Public-domain text, read in full here on John Shaqi.
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