The circular form, the horseshoe form, the unhewn Hele Stone, all bespeak religious origin. These are actual, visual facts, as is the sunrise on the Solstice. Around these arises a clamour of conflicting claims, each possibly containing much of real importance, each probably expressing some clue to guide the future worker on his way, but none containing that element of finality which is once and for all time to quell the storm of controversy which has ever raged about this ancient monument of the plain. THE DRUID QUESTION Perhaps one of the most persistent traditions which has been passed on from generation to generation is that which connects Stonehenge with the Druids. There is, indeed, a vast literature on the subject of Druidism, but the actual knowledge of the subject is limited, and the entire question is very obscure. Much of the information existing is derived from a time when Christianity had long been established. The early Celtic religion has in fact been overlaid and embellished by so many later theories as to be particularly confusing to the modern student. Benedictine historians have discovered in Druidism traces of revealed religion by the simple process of confusing similarity with identity. The Gaul adored the oak tree, therefore this must have been a far-off remembrance of the plains of Mamre. Another class of writers have invented for the Druids the mission of preserving in the West the learning of Phoenicia and Egypt. The cults of Baal and Moloch have been grafted upon them, and so forth, until the very Druid himself is lost in a mass of crystallisations from without. The insular Druids, to which our national traditions refer, were far more likely to be mere "wise men," or "witch doctors," with perhaps a spice of the conjuror. This, at all events, seems to be the case at the time when we first acquire any positive information concerning them. Theirs it would be to summon the rain clouds and to terrify the people by their charms. The Chief Druid of Tara, decked out in golden ear-clasps and his torque of heavy gold, is shown us as a "leaping juggler" as he tosses swords and balls in the air, "and like the buzzing of bees on a beautiful day is the motion of each passing the other."