Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church — John Shaqi
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
Mr. Ambrose was slowly walking on, musing on the patient sufferings of
his little friend, now gone to her rest, when just as he approached the
beautiful old porch of the church his train of thought was suddenly
disturbed by hearing what seemed to him the low, deep sobbing of
excessive grief. The night was not so dark but that he could see
distinctly within the porch, and he anxiously endeavoured to discover
whether the sound had proceeded from any one who had taken shelter there
for the night; but the place was evidently tenant less. "It must have
been only the hum of a passing breeze, which my fancy has converted into
a human voice," thought he, "for assuredly no such restless sobs as
those ever escape from the deep sleepers around me here." And so the
idea was soon banished and forgotten. But as he stood there, his gaze
became, almost unconsciously, fixed upon the old church porch. The dim
light resting upon it threw the rich carvings of its graceful arches,
and deep-groined roof, with its massive bosses of sculptured stone, into
all sorts of fantastic forms, and a strange mystery seemed to hang about
the solemn pile, which completely riveted his attention to it, and led
him into the following reverie:--"Ah, thou art indeed a 'beautiful gate
of the temple'! Well and piously did our ancestors in bestowing so much
wealth and labour to make thy walls so fair and lovely. And well ever
have they done in crowding these noble porches with the sacred emblems
of our holy faith. Rightly have they deemed that the very highest
efforts of human art could not be misapplied in adorning the threshold
of God's House, so that, ere men entered therein, their minds might be
attuned to the solemnity of the place[22]. All praise, too, to those
honest craftsmen who cemented these old stones so well together that
they have stood the storms of centuries, and still remain the unlettered
though faithful memorials of ages long gone by. Ah, how many scenes my
imagination calls up as I look on this old porch! Hundreds of years ago
most of the sacred offices of our Church were there in part performed.
Now, I think I see the gay bridal party standing in that dusky
portal[23]; there comes the Priest to join the hands of the young and
happy pair; he pronounces over them the Church's blessing; and the
bridegroom endows with her bridal portion her whom he has sworn to love
till one shall die. A thousand brides and bridegrooms, full of bright
hopes of happy years, have been married in that porch. Centuries ago
they grew old and died, and were buried in this churchyard, but the old
porch still remains in all its beauty and all its strength. There,
kneeling upon that well-worn pavement, I see the mother pour forth her
thankfulness to God for her deliverance from sickness, and for the babe
she bears[24]. And now, still beneath that porch, she gives her tender
infant into the arms of God's priest, that he may present it to Him in
holy Baptism.
Public-domain text, read in full here on John Shaqi.
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