Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
Encaustic tiles exist in abundance and great beauty in Normandy; and
though, as I have said, we cannot fix a precise date to their
introduction, it seems not improbable that we are indebted to that
country for the first idea of using them in the pavement of our
churches, since in some instances they appear to be coeval with the
erection of the Norman churches in which they are found. Some have upon
them the _semi-circular headed arch_, which is characteristic of Norman
times; and as no doubt the later tiles frequently indicate by their
patterns the period of ecclesiastical architecture to which they may be
referred, most likely these may be equally relied upon as marking the
Norman period. In Ireland, tiles of this date are more common than in
this country. Their _general_ use, however, has prevailed among us from
about A.D. 1250 to A.D. 1550, and the finest and most interesting
specimens we have remaining are at Gloucester and Malvern.
There are several different kinds of ornamental pavement of which
specimens remain. In the ruins of Fountains Abbey are specimens having
the pattern pierced through the entire tile, and afterwards filled in
with clay of another colour. At Canterbury there are circles of stone
pavement with patterns cut in relief, the spaces being filled in with
dark cement. In the early stages of the art the pattern of the tiles was
sometimes left in relief, the tile being of one colour only, but the
uneven surface was found to be very inconvenient for walking upon.
Encaustic tiles--so called because the patterns are _burnt into_
them--are by far the most common sort of tile pavement in our English
churches, especially in the southern and western counties."
"I suppose, Mr. Ambrose," said Constance, "that the tiles in our church
are of that sort?"
"Yes, all of them, both the new and old, except the few of a different
kind which Mr. Acres spoke of just now."
"And will you be so kind as to tell us how they contrived to make those
pretty patterns on them?"
Public-domain text, read in full here on John Shaqi.
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