Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
Now the line of thought which this man had so long adopted, and the _one
idea_ he had cherished, had so dulled his heart and mind to all sense of
the beautiful that he could never appreciate, like other people, what
was pure and lovely, either in nature or in art. No wonder then that he
failed to admire the beautiful decoration with which the Squire had
adorned St. Catherine's Church.
First of all, Mr. Ambrose pointed out to him some old wall-paintings of
great interest, which had been recently discovered. From these Mr. Acres
had had the successive coats of whitewash carefully removed, and, though
they were several centuries old, the colours were but little faded.
Among the most curious were a series of paintings which quite covered
the north wall of the chancel.
Illustration: Ancient Wall Painting in Bedford Church
"You will see, Mr. Dole, that these all represent events in the life of
our Blessed Lord. Here is the beginning of the series; it is the Tree of
Jesse, showing the descent of our Lord in the line of David,--next is
the Nativity,--next the Adoration of the Magi,--then, the Massacre of
the Holy Innocents,--then, the Presentation in the temple; and there, on
the upper part of the wall, are--the Betrayal, our Lord before Pilate,
being Mocked, being Scourged, bearing His Cross, His Crucifixion, and
there, below the Crucifixion, His descent from the Cross, and His
Entombment[58]. These, you see, Mr. Dole, are not only valuable as
showing one way in which our Church five hundred years ago set before
the eyes and minds of the people the human life of our Lord; but they
are still well suited for the sacred place they adorn, inasmuch as they
still serve to remind the worshipper in this House of Prayer of the
great truths they represent. I must, however, confess that we brought
to light some paintings on the walls of a different character; some of
these were very grotesque, others were from some cause or other
objectionable. These were copied, as possessing antiquarian interest,
and were then obliterated. It was long before we could bring our minds
to destroy these curious relics of old days[59], and had they occupied
less conspicuous places in the church, I think we should have been
tempted to preserve them, but the House of God has a higher use than to
be a mere preserver of curiosities, and to this higher use its
decorations and all within it should contribute."
Public-domain text, read in full here on John Shaqi.
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