Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"Oh, that is very plain. If you just look at your Prayer Book, you will
see this rubric at the commencement of the Marriage Service: 'At the
time appointed for the solemnization of matrimony, the persons to be
married shall come into the _body of the church_ with their friends and
neighbours, and _there_ standing, the priest shall say'--then follows
the address to the congregation assembled, and the rest of the service,
till the priest pronounces the first blessing; and after that, the
priests and clerks, 'going to the Lord's Table,' are directed to say or
sing one of the Psalms, and it is evidently intended that the
newly-married persons should accompany them, for when the Psalm is ended
they are mentioned as 'kneeling before the Lord's Table.' This
procession to the altar of course loses much of its meaning and
impressiveness when there is no celebration of Holy Communion. But,
then, this ought not to be omitted, except in very extreme cases."
"I quite see now that Mr. Ambrose is following the rule of the Church. I
certainly never read the directions in the Service before. I suppose,
however, there is no particular part of the body of the church named?"
"No; I believe it is only ancient custom which decides upon the chancel
screen; it is, too, the most convenient part of the church for this
purpose." ...
Why is it that all those young eyes are so bright with love, as from
each ready hand falls the gay flowers at the feet of the happy pair? Why
is each knee bent during _every_ prayer in that solemn service? And,
now, when the hands of Mr. Ambrose rest on the heads of Constance and
her husband, as he pronounces over them the last blessing of the Church,
why does the deep _Amen_ sound from _every_ lip? Why is there that
breathless silence as those happy ones kneel before the altar to bind
themselves yet more closely together, and to God, in Holy Communion? And
now, as they come forth from God's House, how is it that there is no
faltering voice in all that assembly as the glad shout of Christian joy
rings up through the air to heaven? I'll tell you. It is because the
priest and the Squire have ever recognized their joint duties in that
parish; because Constance has been a sister of charity and mercy among
the poor; because they have striven with all their might to do the work
God gave them to do; and now they have their reward in the hearty
affection and respect of all their neighbours.
There were but two exceptions to this general manifestation of good
feeling among the villagers, and they were the last evil growth of the
old Anabaptist schism in the parish. At the same time that Egbert and
Constance were breathing their mutual vows beneath the old chancel
screen of St Catherine's, William Strike and Sally Sowerby were being
"married" by Mr. Gallio at the new register-office at Townend....
Public-domain text, read in full here on John Shaqi.
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