Stones of the Temple; Or, Lessons from the Fabric and Furniture of the ChurchField, Walter
Religion
Stones of the Temple; Or, Lessons from the Fabric and Furniture of the Church
Field, Walter
Christian art and symbolism; Church architecture; Symbolism in architecture
"There is something very touching," said the Squire to Mr. Ambrose, as
they walked back together to the Hall, "in that old custom preserved in
our village of hanging a white glove on the chancel screen[132]. That
was the very glove my dear Mary wore when she promised to be the wife of
Edward Markland, and poor Edward himself placed it there. I saw
Constance's eyes fill with tears to-day as she ventured to give one look
at the sad memento."
"The custom is fast dying out, and only survives in a few rural
parishes. Indeed, the very screens themselves have, you know, in most
churches been swept away[133]. The finer carving is often to be found
worked up into pews, and the large timbers have been used in building
galleries. Where these screens were made of stone[134], they have
generally been preserved unharmed. In some cases, alas! people have not
been contented with demolishing the screen, but have actually in their
place built a gallery[135] for a family pew, extending all across the
front of the chancel, but I am thankful to say such instances are very
rare."
"Will you kindly tell me the origin of the chancel screen?"
"It was formerly called the rood screen, or rood gallery, and where the
rood has been restored, it is still properly so called. The Gospel used
to be read from this gallery, and sometimes the psalms were sung there
by the priests and choristers. The custom of reading the Gospel from
this position was evidently intended to express a special respect for
this portion of God's Word; and so, for the same reason, now the Gospel
is read from the _north_ side of the chancel, whilst the Epistle is read
from the south. The _rood_[136], which consisted of a crucifix with the
figure of the Blessed Virgin on one side, and of St. John on the other,
was placed at the top of the screen. Over this, and between the chancel
arch and the roof, the wall was painted, the subject usually being the
Doom, or representation of the Last Judgment. To replace this, it would
seem that, at the Reformation, the Commandments were ordered to be
painted at the east end of the church."
"You think, then," said the Squire, "that the order in the canons does
not refer to the east end of the _chancel_?"
Public-domain text, read in full here on John Shaqi.
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