_Third side_. I have mislaid my note of this side: Selvatico and Lazari call it "Isidore" (?). [Footnote: Can they have mistaken the ISIPIONE of the fifth side for the word Isidore?] _Fourth side_. Solon with his pupils. Inscribed: "SAL'O UNO DEI SETE SAVI DI GRECIA CHE DIE LEGE." Solon, one of the seven sages of Greece, who declares laws. Note, by the by, the pure Venetian dialect used in this capital, instead of the Latin in the more ancient ones. One of the seated pupils in this sculpture is remarkably beautiful in the sweep of his flowing drapery. _Fifth side_. The chastity of Scipio. Inscribed: "ISIPIONE A CHASTITA CH * * * E LA FIA (e la figlia?) * * ARE." A soldier in a plumed bonnet presents a kneeling maiden to the seated Scipio, who turns thoughtfully away. _Sixth side_. Numa Pompilius building churches. "NUMA POMPILIO IMPERADOR EDIFICHADOR DI TEMPI E CHIESE." Numa, in a kind of hat with a crown above it, directing a soldier in Roman armor (note this, as contrasted with the mail of the earlier capitals). They point to a tower of three stories filled with tracery. _Seventh side_. Moses receiving the law. Inscribed: "QUANDO MOSE RECEVE LA LECE I SUL MONTE." Moses kneels on a rock, whence springs a beautifully fancied tree, with clusters of three berries in the centre of the three leaves, sharp and quaint, like fine Northern Gothic. The half figure of the Deity comes out of the abacus, the arm meeting that of Moses, both at full stretch, with the stone tablets between. _Eighth side_. Trajan doing justice to the Widow. "TRAJANO IMPERADOR CHE FA JUSTITIA A LA VEDOVA." He is riding spiritedly, his mantle blown out behind; the widow kneeling before his horse.