questioning cry; and he will be enabled to enter in some sort into the
horror of heart with which this solitude was anciently chosen by man for
his habitation. They little thought, who first drove the stakes into the
sand, and strewed the ocean reeds for their rest, that their children
were to be the princes of that ocean, and their palaces its pride; and
yet, in the great natural laws that rule that sorrowful wilderness, let
it be remembered what strange preparation had been made for the things
which no human imagination could have foretold, and how the whole
existence and fortune of the Venetian nation were anticipated or
compelled, by the setting of those bars and doors to the rivers and the
sea. Had deeper currents divided their islands, hostile navies would
again and again have reduced the rising city into servitude; had
stronger surges beaten their shores, all the richness and refinement of
the Venetian architecture must have been exchanged for the walls and
bulwarks of an ordinary sea-port. Had there been no tide, as in other
parts of the Mediterranean, the narrow canals of the city would have
become noisome, and the marsh in which it was built pestiferous. Had the
tide been only a foot or eighteen inches higher in its rise, the
water-access to the doors of the palaces would have been impossible:
even as it is, there is sometimes a little difficulty, at the ebb, in
landing without setting foot upon the lower and slippery steps: and the
highest tides sometimes enter the courtyards, and overflow the entrance
halls. Eighteen inches more of difference between the level of the flood
and ebb would have rendered the doorsteps of every palace, at low water,
a treacherous mass of weeds and limpets, and the entire system of
water-carriage for the higher classes, in their easy and daily
intercourse, must have been done away with. The streets of the city
would have been widened, its network of canals filled up, and all the
peculiar character of the place and the people destroyed.
Public-domain text, read in full here on John Shaqi.
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