Stories About Famous Precious StonesOrpen, Adela E. (Adela Elizabeth Richards)
History
Stories About Famous Precious Stones
Orpen, Adela E. (Adela Elizabeth Richards)
Gems
There is one occasion upon which the Pelegrina served to deck a bride so
young and fair that it deserves more than a passing notice. The bride
was Marie Louise d'Orléans, the first wife of Charles II. This poor
sickly King, the last descendant of the mighty Charles V., was a very
shy boy and extremely averse to the society of women. When he was about
seventeen his mother and the royal council decided that he must be
married, and they cast their eyes upon the neighboring house of France,
into which Spanish monarchs were in the habit of marrying when not
engaged with it in war. The only suitable lady was "Mademoiselle"--for
such was in ancient France the distinctive title of the eldest niece
of the King. Mademoiselle, besides being niece to Louis XIV., was
furthermore pretty, vivacious, and only sixteen. Her portrait was sent
to Spain, and what was the amazement of the court to see the shy young
king, who could scarcely look a woman in the face, fall violently in
love with this portrait. He kept it always beside him and was observed
frequently to address the tenderest expressions to it.
Such being the satisfactory state of the King's feelings the match was
rapidly concluded, and Marie Louise set out from Versailles to go to her
unknown husband. On his side Charles II. went forward to meet her as far
as Burgos, and there they first saw each other in 1679. When the King
was unexpectedly announced, Mademoiselle was observed to blush and look
agitated which made her all the prettier. As Charles entered her
apartment she advanced in order to kneel at his feet, but the Boy-King
caught her by both arms and gazing at her with delight cried, "My Queen,
my Queen!"
Although she arrived in Madrid in the autumn of 1679, the young Queen
did not make her state-entry into her capital until the following
January. In the meantime she was kept in the closest seclusion. Not all
the power of the King of Spain joined to the love which Charles bore to
his wife was sufficient to break down the adamantine wall of etiquette
which long usage had built around the queens of Spain. Like a Moorish
slave in a harem, the gay young French girl was shut up alone with her
Lady of the Bedchamber and was permitted to see no one except the King.
She was not allowed to write to her own family nor receive their
letters. She was even refused permission to read a letter from Paris
which a compassionate friend sent her in order that she might hear a
little news. She was a prisoner indeed, although the prison was gilded.
It needed something to atone for two months of such a life, and if a
grand display could sweep away the recollection of it that consolation
was not withheld.
On January 13, 1680, the Bride-Queen at last entered Madrid. Madame la
Mothe, whose keen French eyes saw everything and whose sharp French pen
chronicled it, has left a minute account of the ceremony. She says:
Public-domain text, read in full here on John Shaqi.
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