Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and NotesChadwick, Nora K. (Nora Kershaw)
General
Stories and Ballads of the Far Past: Translated from the Norse (Icelandic and Faroese) with Introductions and Notes
Chadwick, Nora K. (Nora Kershaw)
Folk songs, Scandinavian; Old Norse literature -- Translations into English; Sagas
One would like to have known more about Norn and its 'Vysies,' which
might have formed an interesting and instructive link between some of
the Northern ballads. On the other hand, the Scandinavian colonies in
Ireland, and settlers in English ports such as Bristol, may have done
not a little, through their trade with France and the Mediterranean
countries, to spread the new rhyming four line verse and the romantic
stories of southern and eastern Europe[27].
While this obscurity remains as to the connection between the Faroese
ballads and those of neighbouring countries, notably Denmark, the
questions of the age and origin of many of the Faroese ballads in
their present form are also frought with difficulty. Of the Danish
ballads, which sometimes offer parallels so close as to suggest
translation from one language to the other, the first MS. collection
that can be dated with certainty was written down in 1550. But there
is much evidence, both internal and external, for assigning a much
earlier date to the historical ballads at least. It has been suggested
by Olrik[28], who supports his view by arguments which it would be
extremely difficult to contest, that many of the historical ballads
are practically contemporaneous with the events which they describe,
and some of these took place in the thirteenth century, while others,
e.g. _Riboldsvisen_, are possibly of the twelfth century.
Unfortunately we have fewer data, whether philological or historical,
for assigning dates to the Faroese ballads than we have for the
Danish. There can be little doubt, however, that the ballads
translated below had their origin in the _Fornaldar Sˆgur_ composed
in Iceland during the thirteenth century or in some fourteenth century
_RÌmur_ derived from the sagas. That many of the Faroese ballads were
literary in origin[29], and were based on either Sagas or RÌmur, is
conclusively established by the opening lines of many of the ballads
themselves, notably that of the _Olufu RÌma_:
Ein er rÌman ur Õslandi komin,
SkrÌva Ì bÛk so breia.
("This story is come from Iceland, written in a book so
broad.")
And _Trˆllini Ì Hornalandum_:
Verse 1. Fr¯Ì er komi fr· ÕslandÌ
SkrÌva Ì bÛk so vÌa _etc._
Verse 2. Fr¯i er komi fr· Õslandi
SkrÌva Ì bÛk so breia _etc._
Verse 3. Fr¯i er komi fr· Õslandi
Higar i skald ta tÛk,
Havi tÊr hoyrt um kongin tann,
Õ skrÌvaur stendur Ì bÛk?
("This poem has come from Iceland, brought hither by a
_skald_. Have you heard of the king about whom this book is
written?")
Public-domain text, read in full here on John Shaqi.
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