Short stories, American; United States -- Social life and customs -- Fiction
But this was not all. He asked her if she would come into the
conservatory. She had accompanied him there. Half hid by the branches
of a camellia-tree all covered with white blossoms, she had said
coldly, "Gerald, I cannot marry you." But Gerald had not received the
word so coolly. He had burst out into passion. First he had exclaimed
in wonder, next he could not believe her.
"Would she treat him so ungenerously? Was she a heartless flirt, a
mere coquette?"
He told over his love that had been growing warmer all these three
years; of his ambition that was to be crowned by her approval; of his
lately gained wealth, valued only for her sake. Passionate words they
were, and full of intense feeling; but hidden by the camellia,
restrained and kept under from fear of observers. They were frequently
interrupted, too.
"Thank you--ninety-nine days; very quick passage. Yes, I go back next
week; no, I stay at home," were, with other sentences, thrown in, as
answers to the different questions of those who did not know what they
were interrupting.
But, at last, Aurelia broke away. Broke away! No; she accepted
Middleton's proposal to go into the coffee-room, and left Gerald
beneath the camellia.
As I watched her from my loop-holes I could tell that Aurelia was
going over all this scene in her mind. While her eyes were fixed upon
the stage, she recalled every word and gesture of Gerald's. Yet, his
reproaches, his just complaints, hardly weighed upon her now. She was
looking on the vacant seat beside her, and wondering when Frank would
come to take it.
But "Lilly," the light-haired one, her thoughts were rushing back to
the wild, gay polkas of the morning. Now by Aurelia's side, now away
again; she had danced continually till the last moment, and when they
came to tell her the carriage was ready, and she must come away, she
had fainted.
It was as she was going up-stairs into the drawing-room, just before
she and her sisters made their grand entree, that Lilly had heard that
"Cousin Joe" had not come home in the vessel with Gerald Lawson. He
had gone to Europe by the overland route, and wild, mad fellow that he
was, had determined to join the Russian troops in the Crimea.
"And be shot there for his pains," Frank Leslie added carelessly.
Cousin Joe hadn't come home! He didn't care to come home! He was going
to be shot!
She could think of nothing else. She could not keep still; she could
not talk placidly like the rest; she must dance, and dance wildly and
passionately.
But a moment of reaction came. When the last strain of music had died
away, all power of self-control had died away, too. No wonder that she
had fainted! More wonder that she could recover herself; could resist
her mother's entreaties, after all that dancing, to spare herself and
stay from the opera.
Here she was, outwardly lively and radiant, chatting with Lieutenant
Preston, inwardly chafed at all this constraint, and wondering how it
was Cousin Joe could stay so long away.
Public-domain text, read in full here on John Shaqi.
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