Stories By English Authors: France (Selected by Scribners)
General
Stories By English Authors: France (Selected by Scribners)
France -- Fiction; Short stories, English
Experience, after repeated trials, has proved to me that the only way
of getting sitters who persist in assuming a set look to resume their
habitual expression is to lead them into talking about some subject
in which they are greatly interested. If I can only beguile them into
speaking earnestly, no matter on what topic, I am sure of recovering
their natural expression; sure of seeing all the little precious
every-day peculiarities of the man or woman peep out, one after another,
quite unawares. The long maundering stories about nothing, the wearisome
recitals of petty grievances, the local anecdotes unrelieved by the
faintest suspicion of anything like general interest, which I have been
condemned to hear, as a consequence of thawing the ice off the features
of formal sitters by the method just described, would fill hundreds of
volumes and promote the repose of thousands of readers. On the other
hand, if I have suffered under the tediousness of the many, I have not
been without my compensating gains from the wisdom and experience of the
few. To some of my sitters I have been indebted for information which
has enlarged my mind, to some for advice which has lightened my heart,
to some for narratives of strange adventure which riveted my attention
at the time, which have served to interest and amuse my fireside circle
for many years past, and which are now, I would fain hope, destined to
make kind friends for me among a wider audience than any that I have yet
addressed.
Singularly enough, almost all the best stories that I have heard from my
sitters have been told by accident. I only remember two cases in which
a story was volunteered to me; and, although I have often tried the
experiment, I cannot call to mind even a single instance in which
leading questions (as lawyers call them) on my part, addressed to a
sitter, ever produced any result worth recording. Over and over again
I have been disastrously successful in encouraging dull people to weary
me. But the clever people who have something interesting to say seem,
so far as I have observed them, to acknowledge no other stimulant than
chance. For every story, excepting one, I have been indebted, in
the first instance, to the capricious influence of the same chance.
Something my sitter has seen about me, something I have remarked in
my sitter, or in the room in which I take the likeness, or in the
neighbourhood through which I pass on my way to work, has suggested the
necessary association, or has started the right train of recollections,
and then the story appeared to begin of its own accord. Occasionally
the most casual notice, on my part, of some very unpromising object has
smoothed the way for the relation of a long and interesting narrative.
I first heard one of the most dramatic stories merely through being
carelessly inquisitive to know the history of a stuffed poodle-dog.
Public-domain text, read in full here on John Shaqi.
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