English fiction -- 19th century; Ireland -- Fiction; Short stories, English
He went out on this mission immediately after supper. The sun had gone
down, and the cold clearness left showed things plainly, yet was not
light. In front of the cabin-rows the small children of the place were
screeching over their final romp and quarrel, as they did every evening;
fowls and goats and pigs were settling down for the night with the
squawks and bleats and squeals which also took place every evening; on
the brown-hollowed grass-bank between Colgan’s and O’Reilly’s, old
Morissy, the blind fiddler, was feebly scraping and twangling, according
to his custom every evening, and, for that matter, all day long. Even
the wisps of straw and scraps of paper blowing down the middle of the
wide roadway seemed to have whirled over and over and caught in the
rough patches of stone just so, as often as the sun had set. Close to
the Joyces’, Mick met Peter Maclean driving home a brood of ducklings. A
broad and burly man, who says “shoo-shoo” to a high-piping cluster of
tiny yellow ducks, and flourishes a long willow wand to keep them from
straggling out of their compacted trot, does undoubtedly present rather
an absurd appearance; yet I cannot explain why the sight should have
seemed to prick like a sting through the wide weary disgust which Mick
experienced as he stood in the twilit boreen waiting for Paddy to come
out. He had scarcely a grunt to exchange for Peter’s cheerful “Fine
evenin’.” What does it signify in a universal desert whether evenings be
fine or foul? Altogether, it was a bad time; and Mick acted wisely in
taking precautions against its recurrence, especially as the obstacles
which had confronted him nearly two years back were now more
hope-baffling than ever. For the intervening months had not brought the
desirable “thrifle more wit” to his unsteady brother Thady, who, on the
contrary, was developing into one of those people whose
good-for-nothingness is taken as a matter of course even by themselves;
and a bolt was thus, so to speak, drawn across Mick’s locked door.
Public-domain text, read in full here on John Shaqi.
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