Stories by Foreign Authors: German — Volume 1 — John Shaqi
Stories by Foreign Authors: German — Volume 1
General
Stories by Foreign Authors: German — Volume 1
Short stories, German -- Translations into English
Just at this time a roast hare was on the table; I noticed that Krespel
carefully removed every particle of meat from the bones on his plate,
and was most particular in his inquiries after the hare's feet; these
the Professor's little five-year-old daughter now brought to him with a
very pretty smile. Besides, the children had cast many friendly glances
towards Krespel during dinner; now they rose and drew nearer to him,
but not without signs of timorous awe. What's the meaning of that?
thought I to myself. Dessert was brought in; then the Councillor took a
little box from his pocket, in which he had a miniature lathe of steel.
This he immediately screwed fast to the table, and turning the bones
with incredible skill and rapidity, he made all sorts of little fancy
boxes and balls, which the children received with cries of delight.
Just as we were rising from table, the Professor's niece asked, "And
what is our Antonia doing?" Krespel's face was like that of one who has
bitten of a sour orange and wants to look as if it were a sweet one;
but this expression soon changed into the likeness of a hideous mask,
whilst he laughed behind it with downright, bitter, fierce, and, as it
seemed to me, satanic scorn. "Our Antonia? our dear Antonia?" he asked
in his drawling, disagreeable singing way. The Professor hastened to
intervene; in the reproving glance which he gave his niece I read that
she had touched a point likely to stir up unpleasant memories in
Krespel's heart. "How are you getting on with your violins?" interposed
the Professor in a jovial manner, taking the Councillor by both hands.
Then Krespel's countenance cleared up, and with a firm voice he
replied, "Capitally, Professor; you recollect my telling you of the
lucky chance which threw that splendid Amati [Footnote: The Amati were
a celebrated family of violin-makers of the sixteenth and seventeenth
centuries, belonging to Cremona in Italy. They form the connecting-link
between the Brescian school of makers and the greatest of all makers,
Straduarius and Guarnerius.] into my hands. Well, I've only cut it open
to-day--not before to-day. I hope Antonia has carefully taken the rest
of it to pieces." "Antonia is a good child," remarked the Professor.
"Yes, indeed, that she is," cried the Councillor, whisking himself
round; then, seizing his hat and stick, he hastily rushed out of the
room. I saw in the mirror how that tears were standing in his eyes.
Public-domain text, read in full here on John Shaqi.
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