Stories by Foreign Authors: German — Volume 1 — John Shaqi
Stories by Foreign Authors: German — Volume 1
General
Stories by Foreign Authors: German — Volume 1
Short stories, German -- Translations into English
mother never tired of writing to tell her father how that a singer of
the first rank was developing in her. Krespel's friends in F---- also
confirmed this intelligence, and urged him to come for once to F---- to
see and admire this uncommon sight of two such glorious singers. They
had not the slightest suspicion of the close relations in which Krespel
stood to the pair. Willingly would he have seen with his own eyes the
daughter who occupied so large a place in his heart, and who moreover
often appeared to him in his dreams; but as often as he thought upon
his wife he felt very uncomfortable, and so he remained at home amongst
his broken violins. There was a certain promising young composer, B----
of F----, who was found to have suddenly disappeared, nobody knew
where. This young man fell so deeply in love with Antonia that, as she
returned his love, he earnestly besought her mother to consent to an
immediate union, sanctified as it would further be by art. Angela had
nothing to urge against his suit; and the Councillor the more readily
gave his consent that the young composer's productions had found favor
before his rigorous critical judgment. Krespel was expecting to hear of
the consummation of the marriage, when he received instead a
black-sealed envelope addressed in a strange hand. Doctor R----
conveyed to the Councillor the sad intelligence that Angela had fallen
seriously ill in consequence of a cold caught at the theatre, and that
during the night immediately preceding what was to have been Antonia's
wedding-day, she had died. To him, the Doctor, Angela had disclosed the
fact that she was Krespel's wife, and that Antonia was his daughter;
he, Krespel, had better hasten therefore to take charge of the orphan.
Notwithstanding that the Councillor was a good deal upset by this news
of Angela's death, he soon began to feel that an antipathetic,
disturbing influence had departed out of his life, and that now for the
first time he could begin to breathe freely. The very same day he set
out for F----. You could not credit how heartrending was the
Councillor's description of the moment when he first saw Antonia. Even
in the fantastic oddities of his expression there was such a marvellous
power of description that I am unable to give even so much as a faint
indication of it. Antonia inherited all her mother's amiability and all
her mother's charms, but not the repellent reverse of the medal. There
was no chronic moral ulcer, which might break out from time to time.
Antonia's betrothed put in an appearance, whilst Antonia herself,
fathoming with happy instinct the deeper-lying character of her
wonderful father, sang one of old Padre Martini's [Footnote:
Giambattista Martini, more commonly called Padre Martini, of Bologna,
formed an influential school of music there in the latter half of the
eighteenth century. He wrote vocal and instrumental pieces both for the
church and for the theatre. He was also a learned historian of music.
Public-domain text, read in full here on John Shaqi.
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