Epic poetry, Greek -- Adaptations; Odysseus, King of Ithaca (Mythological character) -- Fiction; Tales -- Greece
With that word she vanished from his sight, and left him standing at
the gates of Alcinous. Wondering greatly he entered the garden, and
gazed about him. So fair a sight had never met his eyes. Fruit-trees
without number stood ranged in ordered rows, pear-trees, and
pomegranates, and rosy apples, the luscious fig, and olives in their
bloom. Their fruit never failed, summer or winter, all the year round.
There blows the warm west wind without ceasing, nursing the tender
blossom, and mellowing the swelling fruit. He saw pears and figs
hanging on the trees in every stage of growth. Another part of the
enclosure was set apart for the cultivation of the vine; and here also
the same wonder was to be seen, springtime and summer dancing
hand-in-hand, and yellow autumn treading close in their footsteps.
Side by side hung the ripe, purple cluster, the crude grape just
turning from green to red, and tiny green bunches lately formed from
the blossom. There the labour of the vintagers never ceased, and the
winepress overflowed without end.
Between the rows of fruit-trees were garden-beds, in which grew all
manner of flowers and useful herbs; and the whole was watered by a
perennial stream, divided into channels which brought the water to
every part of the garden.
Turning with a sigh from that paradise of colour and perfume, Odysseus
passed on to the house, and stood for a while, scanning that stately
structure. His eyes were almost blinded by the light which flashed
from the outer walls, which were built of solid brass, with a coping
of blue steel. The doors were of gold, with silver lintel and
doorposts, and brazen threshold. Then he entered the hall, still
unseen of all eyes; and here new wonders awaited him. Within the
doorway on either side sat dogs wrought in silver and gold, living
creatures, that know neither age nor death, which Hephæstus, the
divine artificer, made, in the wisdom of his heart, to guard the house
of the prince Alcinous day and night. At intervals stood figures of
youths fashioned in gold, with torches in their hands, which at
night-time shed a blaze of light throughout the hall. And all round
the walls were set rows of seats, covered with richly woven cloths,
the work of women's hands. There sat the noble chieftains of Phæacia,
feasting on the bounty of their king.
Far within, visible through a wide-opened door, was seen another
chamber, where a troop of domestics were busy at their tasks. Some
were grinding the yellow grain in hand-mills, others were walking to
and fro at the loom, and others sat plying distaff and spindle,
nodding their heads like poplars waving in the wind. Very choice was
the fabric woven in that chamber, for the women of Phæacia were famed
beyond all others for their skill in weaving, even as the men
surpassed all the world in seamanship.
Public-domain text, read in full here on John Shaqi.
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