Stories from the trenches : $b humorous and lively doings of our boys "over there"Case, Carleton B. (Carleton Britton)
History
Stories from the trenches : $b humorous and lively doings of our boys "over there"
Case, Carleton B. (Carleton Britton)
World War, 1914-1918 -- Anecdotes
THE Y. M. C. A. and Harry Lauder are two social forces that one does
not spontaneously connect up. But the former was the agency that
brought the singer into the fighting camps of France, not only to
hearten the soldiers there, but to pay a touching tribute to the
sacrifice of his only son. Dr. George Adam, of Edinburgh, who went with
him, gives an account of the trip in _Association Men_ (New York), the
official organ of the Y. M. C. A. He also speaks of service under the
banner of the Red Triangle that Mr. Lauder has rendered which brings
the singing comedian before us in a manner hitherto unsuspected:
“On a recent Sunday, although working at full pressure during the week
in the play ‘Three Cheers’ at the Shaftesbury Theater, he gave up his
rest day gladly to go away down to two of the great Canadian camps with
me.
“Some one in London asked the little man why he was going down to the
camps. Why not join them in a quiet week-end on the river? Lauder’s
reply was as quaint as usual: ‘The boys can’t get up to town to see
me, so I am off to the camps to see them.’ A right royal time he gave
them, too. Picture ten thousand men in a dell on the rolling downs
with a little platform in the center and there Lauder singing the old
favorites you have heard so often and the soldiers love so much—‘Rocked
in the Cradle of the Deep,’ ‘Bantry Bay,’ ‘The Laddies Who Fought and
Won,’ ‘Children’s Home,’ and many more.
“This was not all; his soul must have been stirred by the sight of
so many dear, brave men, for when the meeting seemed over, Lauder
began to speak to the soldiers. And a real speech he made, full of
imagery, poetry, and fire. May I just tell you how he closed? ‘One
evening in the gloaming in a northern town I was sitting by my parlor
window when I saw an old man with a pole on his shoulder come along.
He was a lamp-lighter, and made the lamp opposite my window dance into
brightness. Interested in his work, I watched him pass along until the
gloaming gathered round and I could see him no more. However, I knew
just where he was, for other lamps flashed into flame. Having completed
his task, he disappeared into a side street. Those lamps burned on
through the night, making it bright and safe for those who should come
behind him. An avenue of lights through the traffic and dangers of the
city.’
Public-domain text, read in full here on John Shaqi.
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