Latin poetry -- Adaptations; Virgil -- Adaptations
And King Priam had pity on him, and bade them loose his bonds, saying,
"Whoever thou art, forget now thy country. Henceforth thou art one of
us. But tell me true: why made they this huge Horse? Who contrived it?
What seek they by it? to please the Gods or to further their siege?"
Then said Sinon, and as he spake he stretched his hands to the sky, "I
call you to witness, ye everlasting fires of heaven, that with good
right I now break my oath of fealty and reveal the secrets of my
countrymen. Listen then, O king. All our hope has ever been in the
help of Minerva. But, from the day when Diomed and Ulysses dared,
having bloody hands, to snatch her image from her holy place in Troy,
her face was turned from us. Well do I remember how the eyes of the
image, well-nigh before they had set it in the camp, blazed with
wrath, and how the salt sweat stood upon its limbs, aye, and how it
thrice leapt from the ground, shaking shield and spear. Then Calchas
told us that we must cross the seas again, and seek at home fresh
omens for our war. And this, indeed, they are doing even now, and will
return anon. Also the soothsayer said, 'Meanwhile ye must make the
likeness of a Horse, to be a peace-offering to Minerva. And take heed
that ye make it huge of bulk, so that the men of Troy may not receive
it into their gates, nor bring it within their walls, and get safety
for themselves thereby. For if,' he said, 'the men of Troy harm this
image at all, they shall surely perish; but if they bring it into
their city, then shall Asia lay siege hereafter to the city of Pelops,
and our children shall suffer the doom which we would fain have
brought on Troy.'"
Public-domain text, read in full here on John Shaqi.
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