Stories of Christmas and the Bowie knifeDobie, J. Frank (James Frank)
History
Stories of Christmas and the Bowie knife
Dobie, J. Frank (James Frank)
Bowie knife; Christmas; Texas -- History
At last they were only six miles from home. Christmas was only three
days away. Then the oxen stalled in a mudhole at the crossing on La
Parra Creek. For an hour Mr. Cude struggled and worried with them,
trying to make them make the supreme pull. Mrs. Cude threw all her
strength on the spoke of one wheel. Finally Mr. Cude began the weary
business of unloading some of the freight and carrying it on his back
out of the creek.
Then suddenly they were aware of a man, dismounted from the horse
beside him, standing on the bank just ahead. Being down in the creek,
they could not have seen his approach. His frame, though lank, was
well filled out, his face all bearded, his clothes nondescript. In his
posture was something of the soldier. Nearly all Southern men had,
in those days, been soldiers. For a second he seemed to be holding
something back; then he gave a hearty greeting that was cordially
responded to.
“Those look like mighty good oxen,” the young man said, coming down, as
any stranger in that country at that time would come to help anybody in
a tight.
“They are good oxen, but they won’t pull this wagon out now,” Mr. Cude
answered. “I guess they’re getting old like us. We been working them
since before the war.”
The stranger had moved around so that he was very near the wheel oxen,
which he faced, instead of the driver and his wife. His hand was on
Brindle’s head, between the long rough horns, and the old ox, whose
countenance was the same whether in a bog hole or a patch of spring
tallow weed, licked out his tongue.
“I believe I can make these old boys haul the wagon out,” the man said.
“They wouldn’t do any better for a stranger than for their master,” Mr.
Cude answered.
“There’s only one person who could get them to pull,” added Mrs. Cude.
“That’s our boy who went to the war.”
“Did he know oxen?” the young man asked out of his beard.
“Oh, yes, and they knew him. They liked him.”
Then for a little while there was silence.
As Mr. Cude began drawing up his rawhide whip, again the offerer of
help, pleading now, asked for a chance to try his hand.
“Very well,” Mr. Cude agreed slowly, “but every time you try to make
’em pull and they don’t budge the wagon, they’re that much harder to
get against the yoke the next time.”
[Illustration]
The young man asked the names of the oxen and got them. Then he took
the long whip, not to lash the animals--for that was not the whip’s
function--but to pop it. He swung it lightly and tested the popper
three or four times, as if getting back the feel of something long
familiar that had been laid aside. Then he curved the fifteen feet of
tapering plaited rawhide through the air--and the ringing crack made
the sky brighter. At the same time he began calling to the oxen to come
on and pull out. He talked to Brindle and Whitey and Sam Houston and
Davy Crockett harder than a Negro crapshooter talking to his bones.
Public-domain text, read in full here on John Shaqi.
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