“Not hear it?--yes, I hear it, and _have_ heard it.
Long--long--long--many minutes, many hours, many days, have I heard
it--yet I dared not--O, pity me, miserable wretch that I am!--I dared
not--I _dared_ not speak! _We have put her living in the tomb!_ Said I
not that my senses were acute? I _now_ tell you that I heard her first
feeble movements in the hollow coffin. I heard them--many,
many days ago--yet I dared not--_I dared not speak!_ And
now--to-night--Ethelred--ha! ha!--the breaking of the hermit’s door, and
the death-cry of the dragon, and the clangor of the shield!--say,
rather, the rending of her coffin, and the grating of the iron hinges of
her prison, and her struggles within the coppered archway of the vault!
O, whither shall I fly? Will she not be here anon? Is she not hurrying
to upbraid me for my haste? Have I not heard her footstep on the stair?
Do I not distinguish that heavy and horrible beating of her heart?
Madman!”--here he sprang furiously to his feet, and shrieked out his
syllables, as if in the effort he were giving up his soul,--“_Madman! I
tell you that she now stands without the door!_”
As if in the superhuman energy of his utterance had been found the
potency of a spell, the huge antique panels to which the speaker pointed
threw slowly back, upon the instant, their ponderous and ebony jaws. It
was the work of the rushing gust; but then without those doors _did_
stand the lofty and enshrouded figure of the lady Madeline of Usher.
There was blood upon her white robes, and the evidence of some bitter
struggle upon every portion of her emaciated frame. For a moment she
remained trembling and reeling to and fro upon the threshold, then, with
a low moaning cry, fell heavily inward upon the person of her brother,
and in her violent and now final death-agonies bore him to the floor a
corpse, and a victim to the terrors he had anticipated.
From that chamber, and from that mansion, I fled aghast. The storm was
still abroad in all its wrath as I found myself crossing the old
causeway. Suddenly there shot along the path a wild light, and I turned
to see whence a gleam so unusual could have issued; for the vast house
and its shadows were alone behind me. The radiance was that of the full,
setting, and blood-red moon, which now shone vividly through that once
barely discernible fissure, of which I have before spoken as extending
from the roof of the building, in a zigzag direction, to the base. While
I gazed, this fissure rapidly widened,--there came a fierce breath of
the whirlwind,--the entire orb of the satellite burst at once upon my
sight,--my brain reeled as I saw the mighty walls rushing
asunder,--there was a long, tumultuous, shouting sound like the voice of
a thousand waters,--and the deep and dank tarn at my feet closed
sullenly and silently over the fragments of the House of Usher.
[Illustration: text decoration]
[Illustration: text decoration]
CHOPS THE DWARF.
BY CHARLES DICKENS.
Public-domain text, read in full here on John Shaqi.
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