New York (N.Y.) -- Fiction; Short stories, American
“In a moment. She loves me, Phil. She is waiting for me in her little
house among the hills. I left her only this morning, and soon I shall go
back and leave New York forever. I can write the story up there—the
story I have dreamed of writing—for I shall always have the secret of
it. I have but to shut my eyes and tell what I see; and it is because
she loves me. All the life of all the past—I can call that ‘A Story of
the Road.’ Then there will be the future to write of—the men and women
that are to come; for we shall have children, Phil, and in them——”
“You’re making rapid progress,” ejaculated Philander.
“——I shall know the story of the future. Even now I know it; I do not
simply foresee it, I see it. Why not ‘A Story of the Goal!’ For I belong
to it—do you not understand? Yet, after all, what is that compared with
the present? It shall be ‘A Story of the March!’ Look there!”
He threw his eyes up to the ceiling, which was brightened for an instant
by the headlight of an elevated train as it rushed past.
“Do you know what that engineer was really thinking of as he went by?
That would be story enough. Or what was in the heart of the bride
to-night, down on the third landing—you smelled the orange-flowers as
you came up? To feel that your heart is in them, and theirs in you——”
But Philander Atkinson was not listening to the lover’s rhapsody. He was
thinking of a certain summer when he, too, had had strange fancies in
his head; when his thoughts played backward and forward with swift
certainty; when he had grown suddenly conscious of great desires and
deep affinities, and for a space of some three months he had dreamed of
being something more than a mere verse-maker, a master of the file.
Then—whether it was that she grew tired of him, or they both realized
that some dull mistake had been made—it was all over. There was still in
his drawer a package of manuscript he had written that summer; in blank
verse, none too noble a form for the high thoughts which then filled
him; in a queer new rhythm, too, the secret of whose beat he had caught
at and then lost, for the lines read harshly to him now. He looked these
things over occasionally, as a sort of awful example of himself to
himself; though he had gone so far as to borrow some of their imagery,
not without a certain shame, to adorn his light verse. His card-house
had fallen, but some of the colored pasteboard was pretty enough to be
used again. Curiously, he found that he could cut pasteboard into more
ingenious shapes than ever since his brief experience in piling it;
fancy served him better after imagination left him; his triolets were
admirably turned, and his luck with the magazines began. Altogether it
had been an odd experience; half those crazy ideas of Darnel had been
his two years before, but he was quite over them—yes, quite—and now it
was D.’s turn. He listened again to something that Darnel was murmuring.
Public-domain text, read in full here on John Shaqi.
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