New York (N.Y.) -- Fiction; Short stories, American
He tried to appear sympathetic.
“I know a fellow who gets a thousand dollars for a portrait, and he has
only just commenced. You can’t help but succeed, Miss Price, really!”
She gave him a grateful glance.
“Oh, if I _could_!” she said, anxiously. “I taught school one winter,
but the pay was so small. And I’ve tried—you will laugh, Mr. Archibald,
at my telling you these things—but I’ve tried story writing. I was _so_
hopeful about it, and it took as many as ten rejections before I became
convinced; and now, if my Art fails me——”
She gave a little fluttering sigh.
“I think you have talent.”
“Perhaps it is only enthusiasm——”
“That amounts to the same thing. It will keep you up to your work. They
used to tell me I had talent, but I had no enthusiasm, so I dropped it.
I wish to encourage you,” he added; “I hope you will go on. It takes a
lot of work, but you have just the right temperament. You _will_ work.
You _will_ get on, and when you become celebrated, Miss Price, you won’t
forget your old friends?”
He realized that it was a rather bold step forward, and he trembled for
her reply.
“I shall always recommend your house,” she said, a little stiffly,
making him feel more than ever her aristocratic superiority to
landlords, “and I shall always remember your kindness. We went to at
least six boarding-houses until we saw your sign—we saw the landladies.
Really, Mr. Archibald, you have no idea how vulgar and unartistic _most_
of the houses were. There was always a disagreeable odor, as if somebody
was frying something. If I _do_ succeed, as I wish, and make friends,
and get to be known, and all, you may be certain that I shan’t forget
you. I may organize an Art class, and take the whole house myself!”
He went no further. It was enough to him, as he sat opposite her in his
evening dress, his rich opal, set with diamonds, flashing on his white
shirt-front, his lawn tie, low shoes, white waistcoat—everything in the
latest and most expensive style—it was enough for Mr. Jerome Archibald
to sit there and smoke his delicate Havana, and reflect that he at least
had her promise to do what she could to recommend his boarding-house!
The next day, at dinner, he again suggested, in an offhand way, that
Miss Price should turn her attention to portrait-painting. Miss Perkins
seriously objected at once.
“Your father would never give his consent,” she said. “There was old Mr.
Raymond, who lived on the Poor Farm, because he found portrait-painting
didn’t pay.”
“Mr. Raymond painted dreadful, hideous caricatures,” said Elvira. “He
painted my mother’s portrait, and father is always throwing him in my
face. But I don’t know. I have no one to begin on except aunt, and I
have tried and tried, and I can’t get anything but the expression of her
spectacles.”
Even Aunt Perkins laughed at this a little.
“Begin on me,” ventured Archibald. “Call it the ‘Portrait of an Ideal
Landlord.’”
Public-domain text, read in full here on John Shaqi.
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