I wish the girl would go. I don’t like to look at her so much, and yet I cannot help it. Always that same expression of something that I ought to know,——something that she was made to tell and I to hear,——lying there ready to fall off from her lips, ready to leap out of her eyes and make a saint of me, or a devil or a lunatic, or perhaps a prophet to tell the truth and be hated of men, or a poet whose words shall flash upon the dry stubble-field of worn-out thoughts and burn over an age of lies in an hour of passion. It suddenly occurs to me that I may have put you on the wrong track. The Great Secret that I refer to has nothing to do with the Three Words. Set your mind at ease about that,——there are reasons I could give you which settle all that matter. I don’t wonder, however, that you confounded the Great Secret with the Three Words. I LOVE YOU _is_ all the secret that many, nay, most women have to tell. When that is said, they are like China-crackers on the morning of the fifth of July. And just as that little patriotic implement is made with a slender train which leads to the magazine in its interior, so a sharp eye can almost always see the train leading from a young girl’s eye or lip to the “I love you” in her heart. But the Three Words are not the Great Secret I mean. No, women’s faces are only one of the tablets on which that is written in its partial, fragmentary symbols. It lies deeper than Love, though very probably Love is a part of it. Some, I think,——Wordsworth might be one of them,——spell out a portion of it from certain beautiful natural objects, landscapes, flowers, and others. I can mention several poems of his that have shadowy hints which seem to me to come near the region where I think it lies. I have known two persons who pursued it with the passion of the old alchemists,——all wrong evidently, but infatuated, and never giving up the daily search for it until they got tremulous and feeble, and their dreams changed to visions of things that ran and crawled about their floor and ceilings, and so they died. The vulgar called them drunkards. I told you that I would let you know the mystery of the effect this young girl’s face produces on me. It is akin to those influences a friend of mine has described, you may remember, as coming from certain _voices_. I cannot translate it into words,——only into feelings; and these I have attempted to shadow by showing that her face hinted that revelation of something we are close to knowing, which all imaginative persons are looking for either in this world or on the very threshold of the next.