The Church of Saint Polycarp had very much the look of a Roman
Catholic chapel. I do not wish to run the risk of giving names to the
ecclesiastical furniture which gave it such a Romish aspect; but there
were pictures, and inscriptions in antiquated characters, and there were
reading-stands, and flowers on the altar, and other elegant arrangements.
Then there were boys to sing alternately in choirs responsive to each
other, and there was much bowing, with very loud responding, and a long
service and a short sermon, and a bag, such as Judas used to hold in the
old pictures, was carried round to receive contributions. Everything was
done not only “decently and in order,” but, perhaps one might say, with
a certain air of magnifying their office on the part of the dignified
clergymen, often two or three in number. The music and the free welcome
were grateful to Iris, and she forgot her prejudices at the door of
the chapel. For this was a church with open doors, with seats for all
classes and all colors alike,——a church of zealous worshippers after
their faith, of charitable and serviceable men and women, one that took
care of its children and never forgot its poor, and whose people were
much more occupied in looking out for their own souls than in attacking
the faith of their neighbors. In its mode of worship there was a union
of two qualities,——the taste and refinement, which the educated require
just as much in their churches as elsewhere, and the air of stateliness,
almost of pomp, which impresses the common worshipper, and is often
not without its effect upon those who think they hold outward forms as
of little value. Under the half-Romish aspect of the Church of Saint
Polycarp, the young girl found a devout and loving and singularly
cheerful religious spirit. The artistic sense, which betrayed itself
in the dramatic proprieties of its ritual, harmonized with her taste.
The mingled murmur of the loud responses, in those rhythmic phrases, so
simple, yet so fervent, almost as if every tenth heart-beat, instead of
its dull _tic-tac_, articulated itself as “Good Lord, deliver us!”——the
sweet alternation of the two choirs, as their holy song floated from side
to side,——the keen young voices rising like a flight of singing-birds
that passes from one grove to another, carrying its music with it back
and forward,——why should she not love these gracious outward signs of
those inner harmonies which none could deny made beautiful the lives of
many of her fellow-worshippers in the humble, yet not inelegant Chapel of
Saint Polycarp?
Public-domain text, read in full here on John Shaqi.
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