By and by she went to school, and caricatured the schoolmaster on the
leaves of her grammars and geographies, and drew the faces of her
companions, and, from time to time, heads and figures from her fancy,
with large eyes, far apart, like those of Raffaelle’s mothers and
children, sometimes with wild floating hair, and then with wings and
heads thrown back in ecstasy. This was at about twelve years old, as the
dates of these drawings show, and, therefore, three or four years before
she came among us. Soon after this time, the ideal figures began to take
the place of portraits and caricatures, and a new feature appeared in her
drawing-books in the form of fragments of verse and short poems.
IV.
It was dull work, of course, for such a young girl to live with an old
spinster and go to a village school. Her books bore testimony to this;
for there was a look of sadness in the faces she drew, and a sense of
weariness and longing for some imaginary conditions of blessedness or
other, which began to be painful. She might have gone through this
flowering of the soul, and, casting her petals, subsided into a sober,
human berry, but for the intervention of friendly assistance and counsel.
In the town where she lived was a lady of honorable condition, somewhat
past middle age, who was possessed of pretty ample means, of cultivated
tastes, of excellent principles, of exemplary character, and of more
than common accomplishments. The gentleman in black broadcloth and white
neckerchief only echoed the common voice about her, when he called her,
after enjoying, beneath her hospitable roof, an excellent cup of tea,
with certain elegances and luxuries he was unaccustomed to, “The Model of
all the Virtues.”
She deserved this title as well as almost any woman. She did really
bristle with moral excellences. Mention any good thing she had not done;
I should like to see you try! There was no handle of weakness to take
hold of her by; she was as unseizable, except in her totality, as a
billiard-ball; and on the broad, green, terrestrial table, where she had
been knocked about, like all of us, by the cue of Fortune, she glanced
from every human contact, and “caromed” from one relation to another,
and rebounded from the stuffed cushion of temptation, with such exact and
perfect angular movements, that the Enemy’s corps of Reporters had long
given up taking notes of her conduct, as there was no chance for their
master.
Public-domain text, read in full here on John Shaqi.
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