Short stories; United States -- Social life and customs -- 19th century -- Fiction
"What did he say to that, Sandy?" demanded the woman, with admiring
eagerness.
"Say? Oh, he said the soil was good. An' I 'lowed it was,--what there
was of it; an' so was the boulders good, for boulders,--the trouble was
in the mixin'. 'Don't talk to me about your "decomposed granite,"' says
I: 'it's the granite what ain't decomposed that bothers me.' But
pshaw!"--and Lysander dropped his voice hopelessly,--"he ain't a-carin'.
I'd about as soon work the boulders as try to work him; he's harder'n
any boulder on the ranch."
The mules turned into a narrow road, and stopped before the stable, a
shackly, semi-tropical structure, consisting of four sycamore posts and
a brush-covered roof. The lower half of the firelit doorway beyond
suddenly darkened, and there was a swift, scurrying sound among the
bushes that intervened between the house and the shed. A succession of
heads, visible even in the deepening twilight by reason of a uniform
glimmering whiteness, appeared in the barnyard.
Mrs. Sproul ran over the number with a rapid maternal calculation.
"Where's the baby, Sheridan?"
"Grammuzgotim."
Lysander climbed out of the wagon, and came around to his wife's side.
"Shan't I h'ist you down, Minervy?"
She gave him her hand, and stood beside him for an instant,
meditatively, after he had lifted her to the ground.
"I guess I won't say nothin' to mother till you come in, Sandy. Be as
spry as you can with the chores. Mebbe M'lissy'll milk the cow fer you."
She turned, and went up the walk toward the house, her mannish attire
and the glimmering white heads that encircled her faintly suggestive of
Jupiter and his attendant moons.
The sea-breeze had died away, and the wind was blowing in cooler gusts
from the mountain; breezes laden with the aromatic sweetness of the
bay-tree and the heavy scent of the shade-loving bracken wandered from
far up the canon into the cabin and out again, only to find themselves
profaned and sordid with the smell of frying bacon.
A high, energetic voice was making itself heard even above the sizzle of
the meat and the voice of a crying baby.
"What under the sun makes ye set up that yell every night jest at
supper-time? Ye ain't a-lackin' anything, as I kin see, exceptin' a
spankin', and I'm too busy to give ye that. Hark! There comes your
mammy, now. Straighten up yer face and show 'er what a good boy you've
been."
Thus adjured, the baby brought his vocalizing to that abrupt termination
indicative of feeling not so deep-seated as to be entirely beyond
control, and scrambled toward the door on all fours, breaking in upon
the approaching planetary system, a somewhat dimmed and bedraggled
comet. Mrs. Sproul picked him up, and looked around the room
questioningly.
"What's M'lissy doin', mother?"
"Dawdlin'," answered the old woman, with a curtness that was eloquent,
lifting the frying-pan from the stove, and shaking it into a more
aggravated sputter.
"Is she upstairs?"
Public-domain text, read in full here on John Shaqi.
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