As the ape approached the casement with its mutilated burden, the sailor
shrank aghast to the rod, and, rather gliding than clambering down it,
hurried at once home,—dreading the consequences of the butchery, and
gladly abandoning, in his terror, all solicitude about the fate of the
Ourang-Outang. The words heard by the party upon the staircase were the
Frenchman’s exclamations of horror and affright, commingled with the
fiendish jabberings of the brute.
I have scarcely anything to add. The Ourang-Outang must have escaped
from the chamber, by the rod, just before the breaking of the door. It
must have closed the window as it passed through it. It was subsequently
caught by the owner himself, who obtained for it a very large sum at the
_Jardin des Plantes_. Le Bon was instantly released, upon our narration
of the circumstances (with some comments from Dupin) at the bureau of the
Prefect of Police. This functionary, however well disposed to my friend,
could not altogether conceal his chagrin at the turn which affairs had
taken, and was fain to indulge in a sarcasm or two, about the propriety
of every person’s minding his own business.
“Let him talk,” said Dupin, who had not thought it necessary to reply.
“Let him discourse; it will ease his conscience. I am satisfied with
having defeated him in his own castle. Nevertheless, that he failed in
the solution of this mystery is by no means that matter for wonder which
he supposes it; for, in truth, our friend the Prefect is somewhat too
cunning to be profound. In his wisdom is no _stamen_. It is all head
and no body, like the pictures of the goddess Laverna; or, at best, all
head and shoulders, like a codfish. But he is a good creature after all.
I like him especially for one master stroke of cant, by which he has
attained his reputation for ingenuity. I mean the way he has _de nier ce
qui est, et d’expliquer ce qui n’est pas_.”
[Illustration]
THE LAUSON TRAGEDY.
BY J. W. DEFOREST.
Cupid and Psyche! The young man and the young woman who are in love with
each other! The couple which is constantly vanishing and constantly
reappearing; which has filled millions of various situations, and yet
is always the same; symbolizing, and one might almost say embodying,
the doctrine of the transmigration of souls; acting a drama of endless
repetitions, with innumerable spectators!
Public-domain text, read in full here on John Shaqi.
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