“Hey!” exclaimed the Squire, starting up eagerly as he remembered that
Aunt Mercy was his own child. “You don’t say so! Where is she?”
Bessie turned and reeled out of the house; the old man thumped after her
on his cane. At the bottom of the garden was a small, neglected arbor,
thickly overgrown with grape-vines in unpruned leaf, whither Aunt Mercy
was accustomed to repair in her seasons of unusual perplexity or gloom,
there to seek guidance or relief in meditation and prayer. In this arbor
they found her, seated crouchingly on a bench near the doorway, her
arms stretched over a little table in front of her, and her head lying
between them with the face turned from the gazers. The moon glared in
a ghastly way upon her ominously white hands, and disclosed a dark yet
gleaming stain, seemingly a drying pool, which spread out from beneath
her forehead.
“Good Lord!” groaned Squire Lauson. “Mercy! I say, Mercy!”
He seized her hand, but he had scarcely touched it ere he dropped it,
for it was the icy, repulsive, alarming hand of a corpse. We must
compress our description of this scene of horrible discovery. Miss Mercy
Lauson was dead, the victim of a brutal assassination, her right temple
opened by a gash two inches deep, her blood already clotted in pools or
dried upon her face and fingers. It must have been an hour, or perhaps
two hours, since the blow had been dealt. At her feet was the fatal
weapon,—an old hatchet which had long lain about the garden, and which
offered no suggestion as to who was the murderer.
When it first became clear to Squire Lauson that his daughter was dead,
and had been murdered, he uttered a sound between a gasp and a sob;
but almost immediately afterward he spoke in his habitually vigorous
and rasping voice, and his words showed that he had not lost his iron
self-possession.
“Bessie, run into the house,” he said. “Call the hired men, and bring a
lantern with you.”
When she returned he took the lantern, threw the gleam of it over his
dead daughter’s face, groaned, shook his head, and then, leaning on his
cane, commenced examining the earth, evidently in search of footmarks.
“There’s your print, Bessie,” he mumbled. “And there’s my print. But
whose print’s that? That’s the man. That’s a long slim foot, with nails
across the ball. That’s the man. Don’t disturb those tracks. I’ll set the
lantern down there. Don’t you disturb ’em.”
There were several of these strange tracks; the clayey soil of the walk,
slightly tempered with sand, had preserved them with fatal distinctness;
it showed them advancing to the arbor and halting close by the murdered
woman. As Bessie stared at them, it seemed to her that they were
fearfully familiar, though where she had seen them before she could not
say.
Public-domain text, read in full here on John Shaqi.
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