Devon (England) -- Fiction; Husband and wife -- Fiction; Man-woman relationships -- Fiction; Paper mills -- Fiction
The place where Lydia Trivett worked and controlled the activities
of twenty other women was a lofty, raftered hall lighted from the
north by a row of windows under which the sorters sat. In the midst
of the chamber the material was piled in huge, square bales covered
with sacking. The parcels came from all parts of Europe, where linen
and cotton rag could be obtained; and before they were handled, the
contents entered a thresher for preliminary dusting. The thresher
throbbed and thundered within a compartment boarded off from the
workshop. Here in a great wooden case, a roller with iron-shod teeth
revolved, while above this lower, moving wheel, fixed prongs stood
similarly armed, so that their teeth passed between each other at every
turn. Here spun the rags and whirled and tossed, while the dust of
France, Belgium, England, Ireland, Scotland was sucked away from them.
Every rag that entered Dene Mill was subjected to this rough initial
embrace, where Alice Barefoot, a tall, strong woman, attended the
thresher. She was herself of the colour of dust, with a high complexion
and lion-coloured hair, tied up in a yellow kerchief. She prided
herself on doing man’s work and, indeed, accomplished her heavy labours
very completely. The dusted rag she piled in tall baskets, stopped the
thresher, then opened the door of the chamber and bore the rag out to
the sorters. They sat each before her lattice with the material heaped
at her left. The practised workers dealt very swiftly with the stuff,
running it between their hands and knowing its composition by touch.
Wool or silk sometimes intruded, but was flung aside, for only cotton
passed to the empty baskets at each woman’s right. The workers were
clad in white overalls and their heads were covered with white caps and
bonnets. Wonderful cleanliness marked them and the atmosphere of the
brightly lighted shop was clear despite the flocculent material that
passed through it.
For purity of air and water, chemicals and working hands is a vital
matter to the paper maker. Every operation must needs be as cleanly as
sleepless precaution can make it.
From the mountain of rags on her left the sorter plucked material and
picked it over the lattice, an open wire-work sieve spread before
her. Standing beside it was a short upright knife used to cut the
rags and sever from them the buttons, hooks and eyes, whalebones
and other extraneous additions that had belonged to their earlier
incarnations. These knives were made from old steel scythes worn too
thin for husbandry, but here answering a final purpose of value. The
hones hummed from time to time, for the busy knives needed constant
sharpening. Their cutting edge turned away from the workwoman and to it
she brought the material—fragments of every garment ever manufactured
from spun cotton.
Public-domain text, read in full here on John Shaqi.
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