The sensations of the theater were still new to Stover, nor had his
fortunate eye seen under the make-up or his imagination gone below the
laughter. To parade down the aisle, straight as a barber's pole, chin
carefully balanced on the sharp edge of his collar, on the night of his
first day as end on the Yale varsity, delightfully conscious of his own
startling importance, feeling as if he over-topped every one in the most
public fashion, to be absolutely blushingly conscious that every one in
the theater must, too, be grasping a copy of that night's _Evening
Register_, that every glance had started at his arrival and was
following in set admiration, was a memory he was never to forget. His
shoulders thrown up a little, just a little in accentuation, as behooved
an end with a reputation for tackling, he found his seat and, dropping
down quickly to escape observation, buried himself in his program to
appear modest before the burning concentration of attention which he was
quite sure must now be focused on him.
"Dobbs and Benzigger, the fellows who smash the dishes--by George,
that's great!" cried McNab, joyfully running over the program. "They're
wonders--a perfect scream!"
"Any good dancing?" said Hungerford, and a dozen answers came:
"You bet there is!"
"Fanny Lamonte--a dream, Joe!"
"Daintiest thing you ever saw."
"Sweetest little ankles!"
"Who's this coming--the Six Templeton Sisters?"
"Don't know."
"Well, here they come."
"They've got to be pretty fine for me!"
Enthroned as lords of the drama, they pronounced their infallible
judgments. Every joke was new, every vaudeville turn an occasion for a
gale of applause. The appearance of the "Six Templetons" was the
occasion of a violent discussion between the adherents of the blondes
and the admirers of the brunettes, led by the impressionable McNab.
"I'm all for the peach in the middle!"
"Ah, rats! She's got piano legs. Look at the fighting brunette at this
end."
"Why, she's got a squint."
"Squint nothing; she's winking at me."
"Yes, she is!"
"Watch me get her eye!"
Stover, of course, preserved an attitude of necessary dignity, gently
tolerant of the rakish sentimentalities of the younger members of the
flock. Moreover, he was supremely aware that the sparkling eyes under
the black curls (were they real?) were not looking at McNab, but
intensely directed at his own person--all of which, as she could not
have read the _Register_, was a tribute to his own personal and not
public charms.
Public-domain text, read in full here on John Shaqi.
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