We have said a good deal about the kindness of the Mincopies: they are
not always good. They have their quarrels and battles like the rest of
the world. They are quick-tempered and often become angry for a small
offence. When a Mincopy _is_ angry, he acts like a naughty child,
striking and breaking everything around him, even his own choicest
treasures. Trouble sometimes breaks out between two tribes in the midst
of a feast. In their wars they destroy and carry off property; they take
no prisoners among the men, killing the wounded, but children of the
enemy are usually kept alive and kindly treated. Sometimes they try to
harm enemies by witchcraft, or conjuring. They think that Puluga
dislikes the smell of burning beeswax and will, in his anger, send forth
a storm. So, when they know that their enemy is going fishing or
hunting, they burn beeswax so that the angry Puluga will send a storm.
[Illustration: ANDAMAN MINCOPIES (TYLOR).]
Most curious is the funeral of a child among the Andamanese. When a
little one dies there is general weeping. Parents and friends paint
their bodies with clay; their heads are fresh shaved, and upon them,
over the forehead, men place a lump of clay, while women put one upon
the top of the head. The mother prepares the little body for burial; she
shaves and paints the head, neck, wrists, and knees with red ochre; she
then folds the little body together and wraps it in great leaves and
binds the bundle thus made with cords. The grave is dug in the floor of
the hut, under the fireplace. After gently blowing a few times upon the
little face in farewell, the child is buried and the fire is rebuilt
over the grave. The mother leaves a few drops of her own milk in a cup
on the grave. The hut is then deserted, a garland of rushes being
fastened around it to show that a death has taken place. The whole
village then moves, that the child’s spirit may not be disturbed. After
three months of mourning, they all return. The little skeleton is dug
up, the bones are painted red or yellow and distributed as keepsakes to
the friends, who wear them as necklaces in memory of the dead child.
This seems dreadful to us, but our people often keep locks of hair cut
from a dead child’s head; it is the same thing. At this time the lumps
of clay, signs of mourning, are removed from the heads and foreheads.
Some days later, there is a gathering of all the friends. The father,
holding his remaining children in his arms, sings a mourning song: the
women take part in the chorus, and all the rest cry noisily. The parents
then dance “the dance of tears,” after which they withdraw to the hut.
The visitors keep up the dance some hours longer.
XXI.
ARABS.
Public-domain text, read in full here on John Shaqi.
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