It was only a week later that Ethel, hunting about in the little storeroom, happened to notice a stout wooden box carefully covered up. She opened the lid with some difficulty, for it was fastened down with a native lock, and to her horror she found inside it a surreptitious keg of raw negro rum. She took the keg out, put it conspicuously in the midst of the storeroom, and said nothing. That night she heard John in the jungle behind the yard, and looking out, she saw dimly that he was hacking the keg to pieces vehemently with an axe. After that he was even kinder and tenderer to her than usual for the next week, but Ethel vaguely remembered that once or twice before, he had seemed a little odd in his manner, and that it was on those days that she had seen gleams of the savage nature peeping through. Perhaps, she thought, with a shiver, his civilization was only a veneer, and a glass of raw rum or so was enough to wash it off. Twelve months after their first arrival, Ethel came home very feverish one evening from her girls' school, and found John gone from the hut. Searching about in the room for the quinine bottle, she came once more upon a rum-keg, and this time it was empty. A nameless terror drove her into the little bedroom. There, on the bed, torn into a hundred shreds, lay John Creedy's black coat and European clothing. The room whirled around her, and though she had never heard of such a thing before, the terrible truth flashed across her bewildered mind like a hideous dream. She went out, alone, at night, as she had never done before since she came to Africa, into the broad lane between the huts which constituted the chief street of Butabue. So far away from home, so utterly solitary among all those black faces, so sick at heart with that burning and devouring horror! She reeled and staggered down the street, not knowing how or where she went, till at the end, beneath the two tall date-palms, she saw lights flashing and heard the noise of shouts and laughter. A group of natives, men and women together, were dancing and howling round a dancing and howling negro. The central figure was dressed in the native fashion, with arms and legs bare, and he was shouting a loud song at the top of his voice in the Fantee language, while he shook a tom-tom. There was a huskiness as of drink in his throat, and his steps were unsteady and doubtful. Great heavens! could that reeling, shrieking black savage be John Creedy?