"Well, no doubt one can increase one's possibilities of enjoyment by carefully cultivating one's own faculties of admiration and appreciation," said the curate thoughtfully; "but, after all, life has only a few chapters that are thoroughly interesting and enthralling in all its history. We oughtn't to hurry over them too lightly, Miss Eliot; we ought to linger on them lovingly, and make the most of their potentialities; we ought to dwell upon them like "linked sweetness long drawn out." It is the mistake of the world at large to hurry too rapidly over the pleasantest episodes, just as children pick all the plums at once out of the pudding. I often think that, from the purely selfish and temporal point of view, the real value of a life to its subject may be measured by the space of time over which he has managed to spread the enjoyment of its greatest pleasures. Look, for example, at poetry, now." A faint shade of disappointment passed across Christina's face as he turned from what seemed another groove into that indifferent subject; but she answered at once, "Yes, of course one feels that with the higher pleasures at least; but there are others in which the interest of plot is greater, and then one looks naturally rather to the end. When you begin a good novel, you can't help hurrying through it in order to find out what becomes of everybody at last." "Ah, but the highest artistic interest goes beyond mere plot interest. I like rather to read for the pleasure of reading, and to loiter over the passages that please me, quite irrespective of what goes before or what comes after; just as you, for your part, like to sketch a beautiful scene for its own worth to you, irrespective of what may happen to the leaves in autumn, or to the cottage roof in twenty years from this. By the way, have you finished that little water-colour of the mill yet? It's the prettiest thing of yours I've ever seen, and I want to look how you've managed the light on your foreground." "Come in and see it," said Christina. "It's finished now, and, to tell you the truth, I'm very well pleased with it myself." "Then I know it must be good," the curate answered; "for you are always your own harshest critic." And he turned in at the little gate with her, and entered the village doctor's tiny drawing-room.